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An Ode to Motherhood: Readings by Hannah Grieco, Robin Rosen Chang, Megan Pillow, and Elle Nash

An Ode to Motherhood: Readings by Hannah Grieco, Robin Rosen Chang, Megan Pillow, and Elle Nash

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | May 10, 2022

<em>Finding Me</em> by Viola Davis, Read by the Author

Finding Me by Viola Davis, Read by the Author

A Vulnerable, Electric Listen

By Behind the Mic | May 10, 2022

Reclaiming Pamela Moore from the Sisterhood of Sad Literary Girls

Reclaiming Pamela Moore from the Sisterhood of Sad Literary Girls

Emmeline Clein on the American Tradition of Fetishizing Women Writers, Then Forgetting Them

By Emmeline Clein | May 9, 2022

How <em>Ten Percent</em>, Like <em>Call My Agent!</em> Before it, Turns Celebrity Into Text

How Ten Percent, Like Call My Agent! Before it, Turns Celebrity Into Text

Alexis Gunderson on the British Remake of the Campy Celebrity Send-up

By Alexis Gunderson | May 9, 2022

Patrick McCabe Dreams of Driving an Excavator (or Being Bob Dylan’s Chauffeur)

Patrick McCabe Dreams of Driving an Excavator (or Being Bob Dylan’s Chauffeur)

A Conversation with the Author of Poguemahone

By Literary Hub | May 9, 2022

How Sylvia Sleigh’s Nude Male Portraits Subverted the Muse Narrative

How Sylvia Sleigh’s Nude Male Portraits Subverted the Muse Narrative

The Feminist Painter Who Resisted Objectification

By Ruth Millington | May 9, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Whatever Ideas About Writing You Have It’s Really Just Something You Do (Or Don’t)

By Colin Barrett | May 9, 2022

Behind the Scenes at Andy Warhol’s First Big Bash in “Vacant, Vacuous Hollywood”

By Mark Rozzo | May 9, 2022

Was Shakespeare a Plagiarist?

By Keen On | May 9, 2022

Lyrical Black Face: The Truth About “My Old Kentucky Home”

Lyrical Black Face: The Truth About “My Old Kentucky Home”

Emily Bingham on the Racist History of a Beloved American Song

By Emily Bingham | May 9, 2022

“Nobody in the Water,” a Poem by Tayi Tibble

“Nobody in the Water,” a Poem by Tayi Tibble

Celebrating This Year's PEN World Voices Festival

By Tayi Tibble | May 9, 2022

Will Our Bodies Know What to Do at the End of the World?

Will Our Bodies Know What to Do at the End of the World?

Introducing the Queers at the End of the World Podcast

By Queers at the End of the World | May 9, 2022

Jacinda Townsend on What It Means to Mother

Jacinda Townsend on What It Means to Mother

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 9, 2022

Robin Hemley on Kafka and Writerly Ambition

Robin Hemley on Kafka and Writerly Ambition

From The History of Literature Podcast with Jacke Wilson

By History of Literature | May 9, 2022

Confessions From a Lifetime of Looking

Confessions From a Lifetime of Looking

Scenes from Laurie Stone’s Home Movies

By Laurie Stone | May 9, 2022

How Jews Made the Art World Modern

How Jews Made the Art World Modern

Charles Dellheim in Conversation with Andrew Keen

By Keen On | May 9, 2022

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    • The Clarity of Darkness: Margot Douaihy on Why Noir Feels So Relevant TodayJanuary 12, 2026 by Margot Douaihy
    • The Deadly Art of Falling in Love: Blending Romance and Crime in LiteratureJanuary 12, 2026 by Letizia Lorini
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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