Jason Chin on Developing Emotional Connections with Places in Order to Illustrate Them

Jason Chin on Developing Emotional Connections with Places in Order to Illustrate Them

This Week on the NewberyTart Podcast

By NewberyTart | August 24, 2022

What Makes a Book <em>Actually</em> Scary?

What Makes a Book Actually Scary?

Explore Genre This Season on Literary Disco

By Literary Disco | August 23, 2022

I Really Didn’t Want to Write This Promotional Essay Tied to My Book Release

I Really Didn’t Want to Write This Promotional Essay Tied to My Book Release

Lauren Acampora on the Public Consumption of Art, and How Not To Let It Consume You

By Lauren Acampora | August 23, 2022

What Langston Hughes Understood About How Power Relations Shaped US Census Data

What Langston Hughes Understood About How Power Relations Shaped US Census Data

Dan Bouk on “Madam and the Census Man” and the Untold Stories Behind Census Records

By Dan Bouk | August 23, 2022

The History of Riga’s “Little Nuremberg” Trial

The History of Riga’s “Little Nuremberg” Trial

Linda Kinstler on Paranoia and Justice in Soviet-Occupied Latvia

By Linda Kinstler | August 23, 2022

Stuck in a Spaceship: On <em>The Expanse</em> and Redrawing the Lines of a Body

Stuck in a Spaceship: On The Expanse and Redrawing the Lines of a Body

Allison Wyss Considers Bodies in Space and Our Communal Body on Earth

By Allison Wyss | August 23, 2022

Best Reviewed
Books of the Week

  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

WATCH: Elizabeth Crane Talks to Leslie Jamison About Divorce, Transformation, and More

By The Virtual Book Channel | August 23, 2022

Reading Proust in a Black and White World

By Catherine Nichols | August 23, 2022

Forget Politics: Why a Novelist’s First Priority Is To Tell a Good Story

By Keen On | August 23, 2022

A Brief Political—and Personal—History of Gay Bathhouses

A Brief Political—and Personal—History of Gay Bathhouses

Rasheed Newson on Sexually Accommodating Spaces as Community Hubs, and the Moral Panics That Destroyed Them

By Rasheed Newson | August 23, 2022

Shane Kowalski on Creating the Comedic Pivots in His Work

Shane Kowalski on Creating the Comedic Pivots in His Work

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | August 23, 2022

Whose Lives Can We Plunder? Or: How to Base a Character on Yourself

Whose Lives Can We Plunder? Or: How to Base a Character on Yourself

Jincy Willett on Writing From Life Without Betraying Anyone

By Jincy Willett | August 23, 2022

Emotional Expression Is as Scary and Important as You Think It Is

Emotional Expression Is as Scary and Important as You Think It Is

Erica Jong and Lilly Dancyger Guest on the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | August 23, 2022

Tom Scharpling on Legacy, Being Forgotten, and His Latest Paperback Release

Tom Scharpling on Legacy, Being Forgotten, and His Latest Paperback Release

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | August 23, 2022

<em>Heartbreaker </em>by Sarah MacLean, Read by Mary Jane Wells

Heartbreaker by Sarah MacLean, Read by Mary Jane Wells

An Adventurous Historical Romance

By Behind the Mic | August 23, 2022

Marguerite Duras on Writing the Screenplay for Alain Resnais’s <em>Hiroshima Mon Amour</em>

Marguerite Duras on Writing the Screenplay for Alain Resnais’s Hiroshima Mon Amour

“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”

By Marguerite Duras | August 22, 2022

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