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Untangling My Character’s Story of Grief from My Own

Untangling My Character’s Story of Grief from My Own

Victor Manibo on Loss, Writing, and Unknowing

By Victor Manibo | August 31, 2022

When Your Books Finds an Audience You Didn’t Expect

When Your Books Finds an Audience You Didn’t Expect

Courtney E. Martin on Writing About School Integration—and Being Embraced by Religious Communities

By Courtney E. Martin | August 31, 2022

Rebelling Against Conventional Love, Marriage, and Sexuality in Modi’s India

Rebelling Against Conventional Love, Marriage, and Sexuality in Modi’s India

Mansi Choksi in Conversation with Andrew Keen

By Keen On | August 31, 2022

Big Business, Small Town Ideals: On Midwestern College Football

Big Business, Small Town Ideals: On Midwestern College Football

Ben Mathis-Lilley on the University of Michigan and the Allure of Winning

By Ben Mathis-Lilley | August 31, 2022

Kit de Waal Reads from Her Latest Release <em>Without Warning and Only Sometimes</em>

Kit de Waal Reads from Her Latest Release Without Warning and Only Sometimes

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | August 31, 2022

Timothy Willis Sanders on Why It’s Difficult to Write From a Child’s Perspective

Timothy Willis Sanders on Why It’s Difficult to Write From a Child’s Perspective

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | August 31, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
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  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
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  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

The Tesla Story: Is Elon Musk Just an Accidental Footnote to the Company’s Remarkable Engineers and Workers?

By Keen On | August 31, 2022

Who Is The Great Gilly Hopkins for?

By NewberyTart | August 31, 2022

The Last White Man by Mohsin Hamid, Read by Mohsin Hamid

By Behind the Mic | August 31, 2022

Closed Libraries and Fading Light: On Life in Kyiv, August 2022

Closed Libraries and Fading Light: On Life in Kyiv, August 2022

Hometown Dispatches from Myroslav Laiuk

By Myroslav Laiuk | August 30, 2022

From Surfboards to Seed Corn: How Society Creates Trends

From Surfboards to Seed Corn: How Society Creates Trends

W. David Marx On the Subtle Social Nuances of Technological Innovation

By W. David Marx | August 30, 2022

The “Democratization” of Everything: On Conflating Democracy and the Market

The “Democratization” of Everything: On Conflating Democracy and the Market

Jedediah Purdy Considers Robinhood, Bitcoin, and Promise of Fairness

By Jedediah Purdy | August 30, 2022

Dahlia Lithwick on the Destructive Power of the Supreme Court

Dahlia Lithwick on the Destructive Power of the Supreme Court

In Conversation with Andrew Keen on Keen On

By Keen On | August 30, 2022

How to Write a Book Without Getting in Your Own Way

How to Write a Book Without Getting in Your Own Way

Evan Puschak on the Constant Self-Battle of Drafting

By Evan Puschak | August 30, 2022

Mia Mercado on the Inherent Anxieties in Performing “Niceness”

Mia Mercado on the Inherent Anxieties in Performing “Niceness”

“When I’m nice, who am I being nice to? What am I being nice for?”

By Mia Mercado | August 30, 2022

<em>Three Thousand Years of Longing</em> Grants Few Wishes

Three Thousand Years of Longing Grants Few Wishes

George Miller’s New Adaptation Makes the Same Mistake as A.S. Byatt's Story

By Jonathan Russell Clark | August 30, 2022

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Page 380 of 1227
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    • Why Horror Is the Perfect Genre for Processing TraumaFebruary 4, 2026 by Christina Ferko
    • The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)February 4, 2026 by Marisa Walz
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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