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The Scariest, Creepiest, and Most Frightening Animals in Fiction

The Scariest, Creepiest, and Most Frightening Animals in Fiction

Justin C. Key Finds the Best (or Worst?) in Horror

By Justin C Key | October 31, 2023

What Are Thriller Writers Truly Afraid Of?

What Are Thriller Writers Truly Afraid Of?

Danielle Trussoni Talks with Four Authors on How Their Fears Make it into Their Fiction

By Danielle Trussoni | October 31, 2023

Something Is Rotten in Horror’s Use of Pedagogy

Something Is Rotten in Horror’s Use of Pedagogy

Tyler Malone on the Canker in the Classroom

By Tyler Malone | October 31, 2023

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

Justin Phillip Reed Considers Craft and Alienation on the Screen and on the Page

By Justin Phillip Reed | October 31, 2023

Anand Varma on the World's Invisible Wonders

Anand Varma on the World's Invisible Wonders

In Conversation with Andrew Keen on Keen On

By Keen On | October 31, 2023

The 14 Best Book Covers of October

The 14 Best Book Covers of October

Things are getting weird

By Emily Temple | October 30, 2023

Best Reviewed
Books of the Week

  • Switzy
  • Taipei Story
  • Ambivalence: An Education
  • The Pirate Queen
  • The Living Realm
  • Frenchman Flat: The Rise and Fall of Atomic Bombs
  • In the Realm of the Last Man: A Memoir
  • Love Machines: How Artificial Intelligence Is Transforming Our Relationships
  • The Passing of the Dragon and Other Stories
  • Tower Hill: A Plantation on the Edge of Rebellion

Spying is Lying: How David Cornwell Became John Le Carré

By Adam Sisman | October 30, 2023

Tim O'Brien on Letting the World Decide What He'll Read Next

By Literary Hub | October 30, 2023

Can a Computer Write Like Eudora Welty?

By Randy Sparkman | October 30, 2023

A Master Class in Words: On the Vitality and Vividness of <em>The Iliad</em>'s Opening Lines

A Master Class in Words: On the Vitality and Vividness of The Iliad's Opening Lines

Robin Lane Fox Considers the Movement of Homer's Epic

By Robin Lane Fox | October 30, 2023

The Shape of Water: How the Movement of Oceans Impacts Human Activity

The Shape of Water: How the Movement of Oceans Impacts Human Activity

Helen Czerski Explores the Shape-Shifting Science Behind the High Seas

By Helen Czerski | October 30, 2023

AudioFile's Best Audiobooks of October

AudioFile's Best Audiobooks of October

The Month in Literary Listening

By Audiofile Magazine | October 30, 2023

Isabel Cañas on the Gothic and Drawing from Everyday Monsters

Isabel Cañas on the Gothic and Drawing from Everyday Monsters

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 30, 2023

Richard Deming on Boy George, Bowie, and Not Feeling Alone

Richard Deming on Boy George, Bowie, and Not Feeling Alone

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 30, 2023

America's First Man of Letters: Washington Irving

America's First Man of Letters: Washington Irving

From The History of Literature Podcast with Jacke Wilson

By History of Literature | October 30, 2023

Anna Badkhen on Imprints of the Past

Anna Badkhen on Imprints of the Past

This Week from the Emergence Magazine Podcast

By Emergence Magazine | October 30, 2023

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Page 323 of 1606
    • Lethal Luxury: 6 Novels Set in Decadent LocalesSeptember 17, 2026 by Alex Hay
    • The Best Psychological Thrillers of the Month: September 2026September 17, 2026 by Molly Odintz
    • Abby Geni on Mental Hit Lists, Viking Culture, and the Complexity of EmpathySeptember 17, 2026 by Abby Geni
    • Switzy
    • The Best Reviewed Books of the Week
    • "A bold and arresting departure from Cline s earlier work Though em Switzy em can…"
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