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What It’s Like Inside Court With Donald Trump

What It’s Like Inside Court With Donald Trump

Photographer Rachel Cobb Documents the Former President's Civil Fraud Trial

By Rachel Cobb | November 7, 2023

Why Naoise Dolan Learned Italian for Her Book Tour

Why Naoise Dolan Learned Italian for Her Book Tour

And Why Reading, Writing, and Speaking a New Language Imperfectly is OK

By Naoise Dolan | November 7, 2023

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

The Author of Class Takes the Lit Hub Questionnaire

By Stephanie Land | November 7, 2023

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

On Crime Storytelling and Why Aiming for Closure Can Be Problematic

By Lindsay Hunter | November 7, 2023

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Salar Abdoh on Love, War and the Historical Forces That Inspire Art

By Salar Abdoh | November 7, 2023

Whose Community Is It Anyway?

Whose Community Is It Anyway?

Casey Plett on how Politicians, Media, and Corporations Co-Opt Language

By Casey Plett | November 7, 2023

Best Reviewed
Books of the Week

  • Switzy
  • Taipei Story
  • Ambivalence: An Education
  • The Pirate Queen
  • The Living Realm
  • Frenchman Flat: The Rise and Fall of Atomic Bombs
  • In the Realm of the Last Man: A Memoir
  • Love Machines: How Artificial Intelligence Is Transforming Our Relationships
  • The Passing of the Dragon and Other Stories
  • Tower Hill: A Plantation on the Edge of Rebellion

Christopher Clark on the Extraordinary Events of 1848-1849

By Read Smart | November 7, 2023

Ed Conway on the Global Extractive Economy

By Keen On | November 7, 2023

Liquid Repetition: Drew Johnson on the Experience of Reading Marguerite Young’s Miss Macintosh, My Darling

By Drew Johnson | November 7, 2023

Amy Kurzweil on the Open Questions of the Future

Amy Kurzweil on the Open Questions of the Future

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | November 7, 2023

Marina Abramović on Her Expansive View of Art-Making

Marina Abramović on Her Expansive View of Art-Making

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 7, 2023

How American Critics Originated Jane Austen Scholarship

How American Critics Originated Jane Austen Scholarship

On the Birth of Austen Criticism

By Juliette Wells | November 6, 2023

Writing Discipline Envy: Tracy K. Smith Wakes Early and Meditates

Writing Discipline Envy: Tracy K. Smith Wakes Early and Meditates

The Author of To Free the Captives: A Plea for the American Soul Takes the Lit Hub Questionnaire

By Tracy K. Smith | November 6, 2023

In Search of Hidden Family History in the Late Ottoman Empire

In Search of Hidden Family History in the Late Ottoman Empire

Alice Sparberg Alexiou on Love and Loss From Jerusalem to Izmir

By Alice Sparberg Alexiou | November 6, 2023

How Diane Seuss Wrote The Poem That Matters Most to Her

How Diane Seuss Wrote The Poem That Matters Most to Her

The Poet Explains the Creative Process Behind "Still Life with Two Dead Peacocks and a Girl"

By Literary Hub | November 6, 2023

What the Marabou Stork Taught Me About Writing in an Era of Mass Extinction and Waste

What the Marabou Stork Taught Me About Writing in an Era of Mass Extinction and Waste

Ashia Ajani on Figuring Out How to Thrive During an Apocalypse

By Ashia Ajani | November 6, 2023

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Page 319 of 1606
    • Zoje Stage on Writing Genre Fiction in An Era of Extreme Political DivisionSeptember 16, 2026 by Zoje Stage
    • Will Ferguson on the Japanese Backpacking Trek That Inspired His Latest MysterySeptember 16, 2026 by Will Ferguson
    • Jonathan Santlofer: Why the Art World is Tailor-made for Crime FictionSeptember 16, 2026 by Jonathan Santlofer
    • Switzy
    • The Best Reviewed Books of the Week
    • "A bold and arresting departure from Cline s earlier work Though em Switzy em can…"
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