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Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Diana Helmuth Recommends Margot Adler, Lorraine Monteagut, Starhawk, and More

By Diana Helmuth | October 31, 2023

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

Adrian Van Young on the Monstrous Stories That Shaped Him

By Adrian Van Young | October 31, 2023

The Scariest, Creepiest, and Most Frightening Animals in Fiction

The Scariest, Creepiest, and Most Frightening Animals in Fiction

Justin C. Key Finds the Best (or Worst?) in Horror

By Justin C Key | October 31, 2023

What Are Thriller Writers Truly Afraid Of?

What Are Thriller Writers Truly Afraid Of?

Danielle Trussoni Talks with Four Authors on How Their Fears Make it into Their Fiction

By Danielle Trussoni | October 31, 2023

Something Is Rotten in Horror’s Use of Pedagogy

Something Is Rotten in Horror’s Use of Pedagogy

Tyler Malone on the Canker in the Classroom

By Tyler Malone | October 31, 2023

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

Justin Phillip Reed Considers Craft and Alienation on the Screen and on the Page

By Justin Phillip Reed | October 31, 2023

Best Reviewed
Books of the Week

Anand Varma on the World's Invisible Wonders

By Keen On | October 31, 2023

The 14 Best Book Covers of October

By Emily Temple | October 30, 2023

Spying is Lying: How David Cornwell Became John Le Carré

By Adam Sisman | October 30, 2023

Tim O'Brien on Letting the World Decide What He'll Read Next

Tim O'Brien on Letting the World Decide What He'll Read Next

The Author of America Fantastica Takes the Lit Hub Questionnaire

By Literary Hub | October 30, 2023

Can a Computer Write Like Eudora Welty?

Can a Computer Write Like Eudora Welty?

There's More to AI than Memes

By Randy Sparkman | October 30, 2023

A Master Class in Words: On the Vitality and Vividness of <em>The Iliad</em>'s Opening Lines

A Master Class in Words: On the Vitality and Vividness of The Iliad's Opening Lines

Robin Lane Fox Considers the Movement of Homer's Epic

By Robin Lane Fox | October 30, 2023

The Shape of Water: How the Movement of Oceans Impacts Human Activity

The Shape of Water: How the Movement of Oceans Impacts Human Activity

Helen Czerski Explores the Shape-Shifting Science Behind the High Seas

By Helen Czerski | October 30, 2023

AudioFile's Best Audiobooks of October

AudioFile's Best Audiobooks of October

The Month in Literary Listening

By Audiofile Magazine | October 30, 2023

Isabel Cañas on the Gothic and Drawing from Everyday Monsters

Isabel Cañas on the Gothic and Drawing from Everyday Monsters

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 30, 2023

Richard Deming on Boy George, Bowie, and Not Feeling Alone

Richard Deming on Boy George, Bowie, and Not Feeling Alone

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 30, 2023

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