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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Features
Maggie Smith on How She Approached Plot in Her Memoir
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| April 10, 2023
Writing From the Margins: On the Origins and Development of the Lyric Essay
Zoë Bossiere and Erica Trabold Consider Essay Writing as Resistance
By
Zoë Bossiere and Erica Trabold
| April 10, 2023
Ling Ling Huang on the Similarities Between Classical Music and Fiction Writing
“Music and writing demand the same things: self-discipline, time, and patience.”
By
Ling Ling Huang
| April 10, 2023
Charif Shanahan on Making the Unseen Seen through Poetry
The Poet on His New Collection
Trace Evidence
By
Literary Hub
| April 10, 2023
The Reader is the Only Place That Matters: On the Metaphysical Space Within Literature
Former Prison Librarian Blair Austin Wonders Where We Go When We Read
By
Blair Austin
| April 10, 2023
What to Read Before and After Seeing the Adaptation of Haruki Murakami’s
Blind Willow, Sleeping Woman
“Elegant, whimsical, and haunting.”
By
Literary Hub
| April 7, 2023
Best Reviewed
Books of the Week
When the IRA Arrived in Brighton to Blow Up Margaret Thatcher, Her Cabinet, and the Grand Hotel
By
Rory Carroll
| April 7, 2023
The Most Mysterious of Arts: On the Science of Reading
By
Adrian Johns
| April 7, 2023
How to Blow Up a Pipeline
is a Brisk Thriller and a Passionate Argument for Revolution
By
Olivia Rutigliano
| April 7, 2023
Dani Shapiro on Letting Structure Reveal Itself
“You don’t know—you
can’t
know—whether the bricks you’ve laid on top will be supported by the bricks at the bottom.”
By
Dani Shapiro
| April 7, 2023
When Cate Blanchett Played Tennessee Williams’s Greatest Character
Nancy Schoenberger on the Power of Blanche duBois in Liv Ullmann's Unique Production of
A Streetcar Named Desire
By
Nancy Schoenberger
| April 7, 2023
Why
Should
We Care About Penguins?
Naira de Gracia Explores the Importance of Species Conservation in Antarctica
By
Naira de Gracia
| April 7, 2023
Jane Roper on Learning How to Have Fun While Writing Fiction
“Bringing your full self to your work, wielding all of your tools with abandon, is fun at a whole other level.”
By
Jane Roper
| April 7, 2023
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring New Titles by Curtis Sittenfeld, Isabella Hammad, Nicole Chung, Susanna Hoffs, and More
By
Dan Sheehan
| April 7, 2023
Our Father Issues: A Reading List of Spiritual Disillusionment
Christiana Spens Recommends Patti Smith, Lily Dunn, and More
By
Christiana Spens
| April 7, 2023
Larry Bartels on How Democracy is Eroding From the Top
In Conversation with Andrew Keen on
Keen On
By
Keen On
| April 7, 2023
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The Best Fiction in Translation of Fall 2025
November 21, 2025
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Molly Odintz
“Whoever Wrote this Episode Should Die": "Galaxy Quest" Is Personal, and it's Personal to Me
November 21, 2025
by
Olivia Rutigliano
Breaking In: A Field Guide to Heist Plot Types
November 21, 2025
by
Norman Birnbach and Tilia Klebenov Jacobs
The Best Reviewed Books of the Week
"The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"