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Greek Tragedy in the Bottom of the Ninth: On Baseball’s High Literary Drama

Greek Tragedy in the Bottom of the Ninth: On Baseball’s High Literary Drama

Keith O'Brien Recommends David Halberstam, Jonathan Mahler, Joe Posnanski, and More

By Keith O'Brien | March 27, 2024

On Publishing My Memoir of Grief As My Father Lays Dying

On Publishing My Memoir of Grief As My Father Lays Dying

Kristine S. Ervin: “I need to be that daughter again, who can cry into the chest of my father.”

By Kristine S. Ervin | March 27, 2024

Alexandra Tanner on Vulnerability, Making Money as a Writer, and Taking Literary Shortcuts

Alexandra Tanner on Vulnerability, Making Money as a Writer, and Taking Literary Shortcuts

The Author of "Worry" in Conversation with Sasha Fletcher

By Sasha Fletcher | March 27, 2024

The Annotated Nightstand: What Hanif Abdurraqib is Reading Now and Next

The Annotated Nightstand: What Hanif Abdurraqib is Reading Now and Next

Featuring Maggie Nelson, Gabrielle Calvocoressi, Dior J. Stephens and More

By Diana Arterian | March 27, 2024

Jenny Odell on Reading the Rocks

Jenny Odell on Reading the Rocks

This Week from the Emergence Magazine Podcast

By Emergence Magazine | March 27, 2024

Bob Blaisdell on Karl Ove Knausgaard

Bob Blaisdell on Karl Ove Knausgaard

From The History of Literature Podcast with Jacke Wilson

By History of Literature | March 27, 2024

Best Reviewed
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Moira Donegan on Cultivating Invulnerability

By The Critic and Her Publics | March 26, 2024

Flukes, Fakes and Statistical Uncertainties: What Happens When Physicists Fail

By Harry Cliff | March 26, 2024

Literary Rashomon: 10 Novels with Rotating Perspectives

By Shilpi Somaya Gowda | March 26, 2024

“No Nights (or Chapters) Off.” And Other Grown Up Lessons From Reading to My Kids

“No Nights (or Chapters) Off.” And Other Grown Up Lessons From Reading to My Kids

Mark Cecil on What He’s Learned From the Toughest Audience There Is

By Mark Cecil | March 26, 2024

“But the Ancient Greeks Didn’t *Sound* Irish...” On Capturing Voice in Historical Fiction

“But the Ancient Greeks Didn’t *Sound* Irish...” On Capturing Voice in Historical Fiction

Ferdia Lennon Considers the Role of Speech and Dialect in Bringing the Distant Past to Life

By Ferdia Lennon | March 26, 2024

Daniel Sweren-Becker on Playing Games with Readers

Daniel Sweren-Becker on Playing Games with Readers

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | March 26, 2024

Why I Chose to Be the Cover Model for My Own Novel

Why I Chose to Be the Cover Model for My Own Novel

Alvina Chamberland: “I want to take up as much space as possible, both body and soul.”

By Alvina Chamberland | March 25, 2024

Lost in the Supermarket: On the Literature of Shopping

Lost in the Supermarket: On the Literature of Shopping

Anna Smaill Considers the In-Between Zone of the Fictional Shop

By Anna Smaill | March 25, 2024

How a Train is Like a Novel: On the Phenomenon of Illusory Self-Motion

How a Train is Like a Novel: On the Phenomenon of Illusory Self-Motion

John Holten Considers the Mechanics of Movement on the Page and on the Tracks

By John Holten | March 25, 2024

Style As Survival: On Writing After Death

Style As Survival: On Writing After Death

Joyelle McSweeney Explores the Creative Process That Grief Provokes

By Joyelle McSweeney | March 25, 2024

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