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The Latest
Between Tragedy and Wit: Andrew Ewell on William Styron’s Classic,
Sophie’s Choice
“Styron reminds us that storytelling isn’t an intrusion upon the lives of others, but is in fact an affirmation of all that which connects us.”
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| February 7, 2024
Adhaar Noor Desai on Analyzing Shakespeare's Manuscripts
From The History of Literature Podcast with Jacke Wilson
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| February 7, 2024
“D,” an Alphabetical Prose Experiment by Sheila Heti
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Sheila Heti
| February 6, 2024
Supernatural Inheritance: On a Unique Family Gift That Crosses Continents
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Margot Livesey
| February 6, 2024
Why We Anthropomorphize Animals (and Always Have)
Hana Videen on the Origins of the Bestiary and Its Role in the Medieval Imagination
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| February 6, 2024
Faith, Witches, Grief, and Smoke: New Poetry Books to Read in February
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| February 6, 2024
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I'm a Writer But
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Kaveh Akbar on Questioning Goodness
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Writing Ugly: Kirsty Gunn on Novelist Rosalind Belben’s Unappealing Appeal
“This writer wants to show us that the ugly side of life is life’s necessary hemisphere.”
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| February 5, 2024
A Poet Is a Poet Is a Poet: Ed Simon on the Significance of Gertrude Stein’s Subversive Poems
Remembering the Queer Modernist Poet on Her Sesquicentennial
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Trouble at the Southern Border: How US Immigration Policy and Foreign Policy Are Inextricably Linked
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Camp Over Tragedy: On Henry Van Dyke’s Farcical, Irreverent Novel of Black Gay Life in Mid-Century America
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Ingrid Rojas Contreras on How Stories Pass Through Generations
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Memoir Nation
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Rick Bass on What Hunting Taught Hemingway About Writing
”Death, and learning how to end a story: again, the woods made him into a writer.”
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| February 2, 2024
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Page 267 of 1582
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The Best Reviewed Books of the Week
"Strikingly em Ghost-Eye em has none of the eerie mood of a Gothic novel or…"