The Poetic Pleasures and Pains We Can Only Express in Dutch

The Poetic Pleasures and Pains We Can Only Express in Dutch

Sadiqa de Meijer on How Landscapes Change as Our Language Does

By Sadiqa de Meijer | June 25, 2019

Catherine Lacey on the Searching Spirit Behind Lore Segal's Long Career

Catherine Lacey on the Searching Spirit Behind Lore Segal's Long Career

From the Introduction to The Journal I Did Not Keep

By Catherine Lacey | June 25, 2019

The Many Ways We Create the 'Other'

The Many Ways We Create the 'Other'

Louise Aronson on the Contemporary Othering of the Elderly

By Louise Aronson | June 25, 2019

Annie Proulx on One of Her Favorite Short Stories

Annie Proulx on One of Her Favorite Short Stories

A Close Reading of William Gass's "The Pedersen Kid"

By Annie Proulx | June 24, 2019

On Toxic Corporate Culture in Contemporary Fiction

On Toxic Corporate Culture in Contemporary Fiction

Johanna Berkman Reads Novels by Elisabeth Cohen, Halle Butler, and Lydia Kiesling

By Johanna Berkman | June 24, 2019

How We Fictionalize Anger to Understand the World

How We Fictionalize Anger to Understand the World

Rachel DeWoskin on the Literary and Political Value of Rage

By Rachel DeWoskin | June 24, 2019

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The Grand Cultural Influence of Octavia Butler

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Viet Thanh Nguyen on What David Wong Louie Meant to Him at 20

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On the Tricky Business of Creating a National Anthology: Irish Edition

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In Conversation with Peter Nowogrodzki

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The Comic Tragedy of a Narrator with No Sense of Self

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Danielle Dutton Close-Reads Ann Quin's Berg

By Danielle Dutton | June 21, 2019

The Anti-Capitalist Power of Jean de La Ville de Mirmont's Fiction

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André Naffis-Sahely on His New Translation of a Long-Neglected Existentialist Novella

By André Naffis-Sahely | June 21, 2019

The Poet and the Monk: <br>An Anne Sexton Love Story

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Why Does Losing a Pet Hurt So Much?

Why Does Losing a Pet Hurt So Much?

Jacky Colliss Harvey on Our Very Human Grieving of Animal Companions

By Jacky Colliss Harvey | June 20, 2019

50 of the Best One-Star Reviews of <em>The Picture of Dorian Gray</em>

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"Pretentious, pedestrian, predictable, and pedantic."

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The Writer Antonia Pont vs. Envy

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By Antonia Pont | June 20, 2019

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