Literary Hub » Craft and Criticism

The Challenges and Pleasures of Helping Quincy Jones Tell His Life Story

The Challenges and Pleasures of Helping Quincy Jones Tell His Life Story

Patricia Mulcahy on Collaborating with a Musical Icon

By Patricia Mulcahy | April 4, 2022

Announcing the Winners of the 2022 O. Henry Prize for Short Fiction

Announcing the Winners of the 2022 O. Henry Prize for Short Fiction

Read Winning Stories by Olga Tokarczuk, Daniel Mason, and Alejandro Zambra

By Literary Hub | April 4, 2022

What Literary Techniques Did Sigmund Freud Employ?

What Literary Techniques Did Sigmund Freud Employ?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | April 4, 2022

How to Fix the Future of Our Intangible Economy

How to Fix the Future of Our Intangible Economy

Jonathan Haskel in Conversation with Andrew Keen

By Keen On | April 4, 2022

Morris Gleitzman on Crafting Moving Audiobooks for Young Readers

Morris Gleitzman on Crafting Moving Audiobooks for Young Readers

In conversation with Jo Reed on the Behind the Mic Podcast

By Behind the Mic | April 4, 2022

Patti Callahan on Graham Greene, Mary Kay Andrews, and <em>Women Who Run With Wolves</em>

Patti Callahan on Graham Greene, Mary Kay Andrews, and Women Who Run With Wolves

Rapid-fire Book Recs from the Author of Surviving Savannah

By Book Marks | April 4, 2022

Best Reviewed
Books of the Week

How the Looting of Public Goods Is Destroying American Democracy

By Keen On | April 4, 2022

Why the Path to a Livable Future Is Becoming Narrower and Narrower

By Keen On | April 4, 2022

Why We Live in the Age of Cyberwarfare Without Even Knowing It

By Keen On | April 4, 2022

How America’s Foremost Propagandist of Entry Into WWI Was an Imposter

How America’s Foremost Propagandist of Entry Into WWI Was an Imposter

Mark Arsenault in Conversation with Andrew Keen

By Keen On | April 4, 2022

The Literary Film and TV You Need to Stream in April

The Literary Film and TV You Need to Stream in April

It's a Gritty Month on the Small Screen

By Eliza Smith | April 1, 2022

Why Do We Have to Feel Good? On Michael Schur’s Cloying Moral Universe

Why Do We Have to Feel Good? On Michael Schur’s Cloying Moral Universe

Ariella Garmaise Considers the Instagram Infographic Approach to Ethics

By Ariella Garmaise | April 1, 2022

Language is the True Protagonist of <em>My Brilliant Friend</em>’s Third Season

Language is the True Protagonist of My Brilliant Friend’s Third Season

Maria Albano on the “Poetry of Plain Language” in Luchetti's Adaptation

By Maria Albano | April 1, 2022

How Langston Hughes Has Influenced Generations of South African Writers

How Langston Hughes Has Influenced Generations of South African Writers

C.A. Davids on the Elusive Poet’s Connection to African Literature, Past and Present

By C. A. Davids | April 1, 2022

Aimee Bender on Writing Without a Plan

Aimee Bender on Writing Without a Plan

“Every book is the wreck of a perfect idea.”

By Aimee Bender | April 1, 2022

How Writing a Serialized Novel Helped Carley Moore Connect With the World During a Time of Disconnection

How Writing a Serialized Novel Helped Carley Moore Connect With the World During a Time of Disconnection

“In an environment that felt unstructured and constantly in flux serialization allowed me to be flexible.”

By Carley Moore | April 1, 2022

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