Marguerite Duras on Writing the Screenplay for Alain Resnais’s Hiroshima Mon Amour
“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”
By Marguerite Duras | August 22, 2022
What Five Years with a Predatory Vanity Press Taught Me About Art and Success
Alexa T. Dodd on a Book Deal That Seemed Too Good to Be True
By Alexa T. Dodd | August 22, 2022
By Eileen Myles | August 22, 2022
Kristine Langley Mahler on How Online Rabbit Holes Fuel Creativity
By Kristine Langley Mahler | August 22, 2022
How the French Revolution and the January 6 American Insurrection Are Bookends in the Struggle for Democracy
By Keen On | August 22, 2022
Jamil Jan Kochai on Writing About Violence
By First Draft: A Dialogue on Writing | August 22, 2022
What the Slenderman Stabbing Tragedy Tells Us About the State of Mental Illness and Criminal Justice in America
Kathleen Hale in Conversation with Andrew Keen
By Keen On | August 22, 2022
Monotomy and Greed, as Revealed By Andri Snær Magnason’s Latest Short Story
This Week from the Emergence Magazine Podcast
By Emergence Magazine | August 22, 2022
By Corinne Segal | August 22, 2022
