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The Sound of Muses: On Literary Comebacks and the Importance of Listening with Purpose

The Sound of Muses: On Literary Comebacks and the Importance of Listening with Purpose

Louis Edwards Traces His Long Publishing Journey

By Louis Edwards | August 23, 2021

Edward Hirsch on the Poet’s Celebration of Grief

Edward Hirsch on the Poet’s Celebration of Grief

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 23, 2021

How David Foster Wallace Used Compromise Aesthetics to Sell <em>Infinite Jest</em>

How David Foster Wallace Used Compromise Aesthetics to Sell Infinite Jest

Rachel Greenwald Smith on the Treacherous Common Territories of Literary Culture and Capitalism

By Rachel Greenwald Smith | August 20, 2021

Interview with an Indie Press: Nightboat Books

Interview with an Indie Press: Nightboat Books

On Publishing Difficult-to-Classify Books

By Corinne Segal | August 20, 2021

When the Dismissive Editor in Your Head Is Your Father

When the Dismissive Editor in Your Head Is Your Father

Jonathan Wells on Finding a Way Back to Writing on His Own Terms

By Jonathan Wells | August 20, 2021

Megan Abbott on the Dark Underworld of Ballet

Megan Abbott on the Dark Underworld of Ballet

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | August 19, 2021

Best Reviewed
Books of the Week

  • They
  • This Is Not About Us
  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

How to Read Any Book as a Sacred Text

By Book Dreams | August 19, 2021

Sam Cohen on Creating a Conceit of Sarahs

By Otherppl with Brad Listi | August 19, 2021

WATCH: Nimmi Gowrinathan in Conversation with John Freeman

By The Virtual Book Channel | August 19, 2021

In Praise of the Realistic Hope of Jonathan Franzen’s Endings

In Praise of the Realistic Hope of Jonathan Franzen’s Endings

Jessie Gaynor on Leaving Room for the Possibility of Something Better

By Jessie Gaynor | August 18, 2021

What Makes a Great First Sentence?

What Makes a Great First Sentence?

Alice McDermott on the Importance of Starting a Story with Confidence

By Alice McDermott | August 18, 2021

On Romanizing Korean Names and Writing Immigrant Stories in an Acquired Language

On Romanizing Korean Names and Writing Immigrant Stories in an Acquired Language

Yoon Choi Navigates the Complicated Path to Publication

By Yoon Choi | August 18, 2021

On Learning to Take Author Photos Remotely During the Pandemic

On Learning to Take Author Photos Remotely During the Pandemic

Beowulf Sheehan Adapts His Art to a New Normal

By Beowulf Sheehan | August 18, 2021

Deesha Philyaw on Leaving a Marriage While Writing a Short Story Collection

Deesha Philyaw on Leaving a Marriage While Writing a Short Story Collection

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | August 18, 2021

When You’re Craving Oddities: 5 Books You May Have <br>Missed in July

When You’re Craving Oddities: 5 Books You May Have
Missed in July

Bethanne Patrick Recommends Deirdre Sinnott,
Jeffrey Ford, and Others

By Bethanne Patrick | August 18, 2021

On Robin McKinley’s Fantasies and the Books That Are “Just Yours”

On Robin McKinley’s Fantasies and the Books That Are “Just Yours”

This Week on the NewberyTart Podcast

By NewberyTart | August 18, 2021

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    • "a succession of nine quietly horrifying stories from a dystopian pastorally radiant England The novella…"
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