Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

What It Means to Write in the Direction of Darkness

By Stacey D'Erasmo | September 26, 2022

Read Ted Berrigan’s Original Review of Frank O’Hara’s <em>Lunch Poems</em>

Read Ted Berrigan’s Original Review of Frank O’Hara’s Lunch Poems

“It’s a great book!”

By Ted Berrigan | September 26, 2022

Considering the Poetry of Molly Brodak and the Ache of the Unknowable World

Considering the Poetry of Molly Brodak and the Ache of the Unknowable World

Joseph Earp on Schizophrenia, Recovery, and Finding Connection When You Need It

By Joseph Earp | September 26, 2022

When Male Authors Write Male Violence

When Male Authors Write Male Violence

Philippa Snow on Ryu Murakami’s Novel Piercing

By Philippa Snow | September 26, 2022

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

“I delete and demolish with zeal.”

By Literary Hub | September 26, 2022

Morgan Talty on How Form Can Shape Story... If You Listen

Morgan Talty on How Form Can Shape Story... If You Listen

In Conversation with Brooke Warner and Grant Faulkner on the Write-minded Podcast

By Memoir Nation | September 26, 2022

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There Were British Spy Novels Before James Bond

By History of Literature | September 26, 2022

Why the Chinese Economic Bubble Might Never Pop

By Keen On | September 26, 2022

Plagues and Their Aftermath: Why Recovering From Covid is Really “Up to Us”

By Keen On | September 26, 2022

How Much Sympathy Should We Have for the Children of Privilege Who Have Lost Their Way in Life?

How Much Sympathy Should We Have for the Children of Privilege Who Have Lost Their Way in Life?

Jamie Weiner in Conversation with Andrew Keen on Keen On

By Keen On | September 26, 2022

Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page

Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 26, 2022

Is There Really a Science of Belonging That Can Help Us Create Connection and Bridge Divides?

Is There Really a Science of Belonging That Can Help Us Create Connection and Bridge Divides?

Geoffrey L. Cohen in Conversation with Andrew Keen on Keen On

By Keen On | September 26, 2022

Stacey D’Erasmo on the Fun of Writing Cryptic Characters

Stacey D’Erasmo on the Fun of Writing Cryptic Characters

“The world itself is an ambiguous, complicated place.”

By Stacey D'Erasmo | September 23, 2022

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring new titles Elizabeth Strout, Yiyun Li, Antony Beevor, Richard Osman, and More

By Book Marks | September 23, 2022

Mario Vargas Llosa on <em>Retrospective</em>, a Novel of Never-Ending War That Resists Easy Answers

Mario Vargas Llosa on Retrospective, a Novel of Never-Ending War That Resists Easy Answers

“It is the job of readers whose sensitivity is awakened by what is imagined there to know how to respond.”

By Mario Vargas Llosa | September 23, 2022

How the Upcoming Brazilian Presidential Election is a Referendum on Racism, Misogyny, and Military Rule

How the Upcoming Brazilian Presidential Election is a Referendum on Racism, Misogyny, and Military Rule

Lilia Moritz Schwarcz in Conversation with Andrew Keen on Keen On

By Keen On | September 23, 2022

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