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Julia Elliott and DaMaris B. Hill on Writing Rural America

Julia Elliott and DaMaris B. Hill on Writing Rural America

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | October 21, 2021

TaraShea Nesbit on Reckoning With Ghosts, and Returning to the Same Story, Again and Again

TaraShea Nesbit on Reckoning With Ghosts, and Returning to the Same Story, Again and Again

“There is a backward-looking thing in all good stories and essays: a haunting.”

By TaraShea Nesbit | October 21, 2021

Phoebe Robinson on Her New Imprint and Anti-Racism Reading Lists

Phoebe Robinson on Her New Imprint and Anti-Racism Reading Lists

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | October 21, 2021

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

Jennifer Egan on Elizabeth Strout, Rumaan Alam on Jonathan Franzen, and more

By Book Marks | October 21, 2021

Chris Hedges on Teaching Playwriting in Prison

Chris Hedges on Teaching Playwriting in Prison

Writing Exercises, Sincerity, and Amiri Baraka’s Dutchman

By Chris Hedges | October 21, 2021

WATCH: Brittney Cooper, Susana Morris, and Chanel Craft Tanner on a New Intersectional Resource for Young Feminists

WATCH: Brittney Cooper, Susana Morris, and Chanel Craft Tanner on a New Intersectional Resource for Young Feminists

Hosted by Greenlight Bookstore

By The Virtual Book Channel | October 21, 2021

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.

By Vanessa Willoughby | October 20, 2021

Can You Guess These Famous Writers Based on Their Very First Author Bios?

By Emily Temple | October 20, 2021

Chelsea G. Summers on Anaïs Nin, Dracula, and The Bloody Chamber

By Book Marks | October 20, 2021

“I Did Not Want Her Name to Be Synonymous with Madness.” Heather Clark on Writing Sylvia Plath

“I Did Not Want Her Name to Be Synonymous with Madness.” Heather Clark on Writing Sylvia Plath

In Conversation with Courtney Balestier on the WMFA Podcast

By WMFA | October 20, 2021

White Men, Land, and Literature: The Making (and Unmaking) of an American Pastoral

White Men, Land, and Literature: The Making (and Unmaking) of an American Pastoral

Brad Kessler on Settler Narratives and the Violence That Haunts American Land and Literature

By Brad Kessler | October 20, 2021

<em>Reading Women</em> on the Emotional Complexities in Women’s Crime Fiction

Reading Women on the Emotional Complexities in Women’s Crime Fiction

This Week from the Reading Women Podcast

By Reading Women | October 20, 2021

On Finding the Book That Returns You to Your Body

On Finding the Book That Returns You to Your Body

Dodie Bellamy Reads Paula Modersohn-Becker

By Dodie Bellamy | October 20, 2021

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

Elaine Feeney Considers the Emotional Journey to Her Novel, As You Were

By Elaine Feeney | October 20, 2021

8 Great Novels That Take Place Over the Course of a Day

8 Great Novels That Take Place Over the Course of a Day

Sonya Huber Recommends Virginia Woolf, Ian McEwan, Bernadette Mayer, and More

By Sonya Huber | October 19, 2021

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Jane Ciabattari Talks to the Author of Monster in the Middle

By Jane Ciabattari | October 19, 2021

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    • 24 New and Upcoming Historical Novels To Look Forward To In 2026January 20, 2026 by Molly Odintz
    • Michael Koryta and Malcolm Kempt on Gothic Fiction and the ArcticJanuary 20, 2026 by CrimeReads
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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