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Young, Gifted, and Black: Deesha Philyaw and Dawnie Walton on the Life and Short Stories of Diane Oliver

Young, Gifted, and Black: Deesha Philyaw and Dawnie Walton on the Life and Short Stories of Diane Oliver

From the Ursa Short Fiction Podcast with Deesha Philyaw and Dawnie Walton

By Ursa | August 9, 2022

How Novelists Create More “Realistic” Characters Than Those You See on the Screen

How Novelists Create More “Realistic” Characters Than Those You See on the Screen

Anthony Marra in Conversation with Andrew Keen on Keen On

By Keen On | August 9, 2022

How One Writer’s Brush With Covid Temporarily Robbed Her Of Her Career

How One Writer’s Brush With Covid Temporarily Robbed Her Of Her Career

Alice Feiring on the Unsettling Prospect of Writing About Wine With No Sense of Smell

By Alice Feiring | August 9, 2022

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Featuring Nick Drnaso, Lynne Tillman, Meng Jin and more!

By Teddy Wayne | August 9, 2022

Meeting Language at Its Most Elemental Place: Belinda Huijuan Tang on Re-Learning Chinese

Meeting Language at Its Most Elemental Place: Belinda Huijuan Tang on Re-Learning Chinese

“When we learn a new language, we may expand our notion about what truths can exist in the world.”

By Belinda Huijuan Tang | August 9, 2022

If the World is a Giant Simulation, What's the Difference Between the Virtual Reality and “Real Life”?

If the World is a Giant Simulation, What's the Difference Between the Virtual Reality and “Real Life”?

David Chalmers in Conversation with Andrew Keen on Keen On

By Keen On | August 9, 2022

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
  • The Hill
  • Look What You Made Me Do
  • Backtalker: An American Memoir
  • Mighty Real: A History of LGBTQ Music, 1969-2000
  • Glyph
  • The Village on the Edge of the World: Writing and Surviving in Ceausescu's Romania
  • Dog Days

Tomorrow’s Capitalism: Searching For the Elusive “Soul” of American Business

By Keen On | August 9, 2022

Tarek Abi Samra on Stealing Kant From a Bookstore

By Tarek Abi Samra, translated by Lina Mounzer | August 8, 2022

On Writing Intentionally and Infusing Meaning Into Genre Writing

By Memoir Nation | August 8, 2022

How to Write About the City? Go Out Without an iPhone

How to Write About the City? Go Out Without an iPhone

Dwyer Murphy in Conversation with Andrew Keen on Keen On

By Keen On | August 8, 2022

What True Sentences Did Hemingway Himself Write?

What True Sentences Did Hemingway Himself Write?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 8, 2022

In the Age of Covid and Monkeypox, Should We Be Prioritizing the Health of the “Viral Underclass”?

In the Age of Covid and Monkeypox, Should We Be Prioritizing the Health of the “Viral Underclass”?

Steven Thrasher in Conversation with Andrew Keen on Keen On

By Keen On | August 8, 2022

<em>The Pink Hotel</em>: A California Novel Where You Can Check in But You Can’t Check Out

The Pink Hotel: A California Novel Where You Can Check in But You Can’t Check Out

Liska Jacobs in Conversation with Andrew Keen on Keen On

By Keen On | August 8, 2022

<em>Bodies Bodies Bodies</em> is a Vicious Parody of Online Culture and a Tight Little Murder Mystery

Bodies Bodies Bodies is a Vicious Parody of Online Culture and a Tight Little Murder Mystery

Olivia Rutigliano on the New Film Based on a Story by Kristen Roupenian

By Olivia Rutigliano | August 5, 2022

Dwyer Murphy on How to Write About a City

Dwyer Murphy on How to Write About a City

“You’re going to want to get out and walk around.”

By Dwyer Murphy | August 5, 2022

Dollars, Cents, and Being Left With the Bill: Jillian Medoff on Breaking Up With Her Literary Agent

Dollars, Cents, and Being Left With the Bill: Jillian Medoff on Breaking Up With Her Literary Agent

“Business isn’t emotional, but people are.”

By Jillian Medoff | August 5, 2022

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    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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