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  • Craft and Criticism
    • Literary Criticism
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Shelley Blanton-Stroud On the Different Ways We Mythologize the Past

Shelley Blanton-Stroud On the Different Ways We Mythologize the Past

From the New Video Series Authors in the Tent, Hosted by Ona Russell

By The Virtual Book Channel | November 30, 2021

How Did the Arab Spring Change Fiction?

How Did the Arab Spring Change Fiction?

Talya Zax Looks to Post-Revolutionary Literature

By Talya Zax | November 29, 2021

Mirion Malle: “Let's Talk About Mental Health Without Pointing Blame”

Mirion Malle: “Let's Talk About Mental Health Without Pointing Blame”

The Author of This is How I Disappear Speaks With Sophie Yanow

By Sophie Yanow | November 29, 2021

On Finally Finding an Authentic Voice (After Writing Several Dozen Books)

On Finally Finding an Authentic Voice (After Writing Several Dozen Books)

Mark Scarbrough Takes the Scenic Route to Memoir Writing

By Mark Scarbrough | November 29, 2021

Francine Prose on Her Encounters with the Literary Strange

Francine Prose on Her Encounters with the Literary Strange

Francine Prose Reads Bolaño, Erpenbeck, Tutuola, and More

By Francine Prose | November 29, 2021

The Last Essay I Need to Write about David Foster Wallace

The Last Essay I Need to Write about David Foster Wallace

Mary K. Holland on Closing the “Open Question” of Wallace’s Misogyny

By Mary K. Holland | November 29, 2021

Best Reviewed
Books of the Week

  • Joyride: A Memoir
  • A Guardian and a Thief
  • Minor Black Figures
  • True Nature: The Pilgrimage of Peter Matthiessen
  • The Wayfinder
  • Unabridged: The Thrill of (and Threat To) the Modern Dictionary

How My Passion Project Led to Burnout: On the Bittersweet Rewards of Creative Risks

By Leigh Stein | November 29, 2021

On Eliza Haywood’s Explorations of Gender Politics and Sexual Passion

By History of Literature | November 29, 2021

“Some People Just Treat Africa Like a Blank Canvas.” Chibundu Onuzo on Making Room for the Real in Fiction

By The Maris Review | November 25, 2021

How to Reframe the Strangeness of <em>The Plague</em> as Sci-Fi Noir

How to Reframe the Strangeness of The Plague as Sci-Fi Noir

Sunra Thompson on Finding Inspiration in "Low" Genres to Reimagine Albert Camus

By Sunra Thompson | November 24, 2021

Aimee Bender on Creating Structure to Ward Off Writing Dread

Aimee Bender on Creating Structure to Ward Off Writing Dread

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | November 24, 2021

Mina Seçkin on Ferrante, Nabokov, and <em>The Phantom Tollbooth</em>

Mina Seçkin on Ferrante, Nabokov, and The Phantom Tollbooth

Rapid-fire book recs from the author of The Four Humors

By Book Marks | November 24, 2021

Maggie Nelson and Tala Madani on Fear in Artmaking and How Magic Can Save Us All 


Maggie Nelson and Tala Madani on Fear in Artmaking and How Magic Can Save Us All 


This Week from FUSE: A BOMB Podcast

By FUSE: A BOMB Podcast | November 24, 2021

What <em>Lovecraft Country</em> Gave to Black Audiences

What Lovecraft Country Gave to Black Audiences

The Cast and Creators Speak to the Making—and Unmaking—of the HBO Series

By James Andrew Miller | November 24, 2021

If You Want to Write a Novel, Start with a Plan

If You Want to Write a Novel, Start with a Plan

Stephanie Gangi on Writing Her Debut in Her Late 50s

By Stephanie Gangi | November 24, 2021

“Territories of the Uncanny.” A Reading List of the Irreal

“Territories of the Uncanny.” A Reading List of the Irreal

Helen Chau Bradley Recommends Mariana Enriquez, Fleur Jaeggy, and More!

By Helen Chau Bradley | November 24, 2021

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