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Craft and Criticism
50 Ways to End a Poem
Emily Skaja Has Some Recommendations for Making a Strong Exit
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Emily Skaja
| April 12, 2024
Yes, But Can You Really Explain the Difference Between Morals and Ethics?
Eli Burnstein on the Subtle Nuances of the English Language
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Eli Burnstein
| April 12, 2024
More Than “Friendless” or “Fallen...” Giving Voice to the Women Who Misbehaved in History
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Kelly E. Hill
| April 12, 2024
Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books
George Makari Talks to the Author of “The Last Days of Roger Federer: And Other Endings”
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George Makari
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5 Book Reviews to Read This Weeks
“The collection reads like a juvenile burn book, totally uninterested in the world outside her group chat.”
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Opa! It’s All Greek to Me! Subverting the Tropes of Greek Culture in Media
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Henriette Lazaridis
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Phil Jones on Why We Read Samuel Johnson
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S.L. Wisenberg on How We Talk About Cancer
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Real People, Real Pain: On the Ethics of Telling True Stories of Trauma
Philip Eil Considers the Potentially Sensitive Nature of Book Promotion
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What Do You Get When You Cross the Contemporary Novel with Nature Writing?
Fiona Williams on Using Every Literary Tool Available to Us
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Oh, Queer Canada: A Reading List for Americans in Search of LGBTQ Canadian History
Rose Sutherland Recommends Suzette Mayr, Heather O'Neill, Loghan Paylor, and More
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A Woman Out of Time: Rebecca Solnit on Mary Shelley’s Dystopian Sci-Fi Novel
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Katrina Carrasco on the Importance of Female Physicality in Fiction
“I’ll always celebrate tall, strong women in my novels—partly as a love letter to myself, and partly as one to readers.”
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Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers
Featuring Caoilinn Hughes, Victoria Chang, Elissa Strauss and More
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In Words and Beyond Them: Jane Hirshfield on the Transformative Art of Translation
“The act of translating opens the psyche’s innermost rooms to the unknown.”
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Jane Hirshfield
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