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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Andrew Porter on the Strange Nature of Short Stories Mirroring Each Other
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| April 24, 2023
Pattiann Rogers on the “Flicker” that Connects All Life in Her Poems
Leslie Lindsay Talks to the Author of
Flickering
By
Leslie Lindsay
| April 24, 2023
Take a Sigh of Relief:
Are You There God? It’s Me, Margaret.
is Wonderful
The 53-Year Wait Was Worth It
By
Olivia Rutigliano
| April 21, 2023
Orion
Recommends: Ten Essential Reads for Earth Day 2023
We Asked One of Our Favorite Magazines For Help in Updating Our Climate Change Library
By
Orion Magazine
| April 21, 2023
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring new titles by David Grann, Han Kang, Ramona Ausubel, and More
By
Book Marks
| April 21, 2023
Joe Milan Jr. on the Connectivity of Failure
“The thing that binds all writers together is that we fail, a lot, and often.”
By
Joe Milan Jr.
| April 21, 2023
Best Reviewed
Books of the Week
Do Writers Fetishize Their Tools Too Much... Or Not Enough?
By
Tobias Carroll
| April 21, 2023
Victor Lavalle on the Truth of Family Secrets (Hint: They’re Not That Secret)
By
The Maris Review
| April 20, 2023
Why We All Need Dinner Parties in Our Lives
By
Natasha Feldman
| April 20, 2023
Eileen Myles on Poetry, Meat, and Mourning
“The writing the poem part is easy. It’s the rest of the time that’s the problem.”
By
Eileen Myles
| April 20, 2023
What Kind of Pandemic Storytelling Do We Actually Need?
Emma Staffaroni Calls for Stories About Living Through It
By
Emma Staffaroni
| April 20, 2023
5 Book Reviews You Need to Read This Week
“The truth may sometimes hurt, but the lies are in bed with collective death.”
By
Book Marks
| April 20, 2023
Live from New York: Curtis Sittenfeld on Dating Up, Writing Funny, and How SNL and the Iowa Writers’ Workshop Are Alike
In Conversation with Whitney Terrell and V.V. Ganeshananthan on
Fiction/Non/Fiction
By
Fiction Non Fiction
| April 20, 2023
Matthew Zapruder: Revising a Poem is Like Revising Your Life
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| April 20, 2023
Jamie Stewart of Xiu Xiu on Sex as Escape, Being a Jerk, and “Alcohol-fueled Insanity”
Juan Velasquez Talks to the Author of
Anything That Moves
By
Juan Velasquez
| April 20, 2023
How Messy Can a
Rom-Com Be?
Carlyn Greenwald on Queer Romance and the Bounds
of Cis-Hetero Agenda
By
Carlyn Greenwald
| April 20, 2023
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Page 175 of 641
The 9 Best French Jewel Theft Films
November 6, 2025
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Julia Sirmons
11 Mystery Novels That Explore the Power of Rumors and Gossip
November 6, 2025
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Lauren Oliver
P.J. Tracy on Writing about Serial Killers and Secular Horror
November 6, 2025
by
P.J. Tracy
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"