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Literary Criticism
Vivian Gornick on the Solace and Revelation of Natalia Ginzburg
"In time, they seemed written for me."
By
Vivian Gornick
| February 11, 2020
What to Leave In, What to Leave Out: My Conversations with David Foster Wallace
Adrienne Miller on Literary Life in the 1990s
By
Adrienne Miller
| February 11, 2020
A Novel That Celebrates—and Mourns—Pre-Revolutionary Iran
Dina Nayeri on Javad Djavaher's
My Part of Her
By
Dina Nayeri
| February 11, 2020
The Fraught Task of Describing Life with David Foster Wallace
Zan Romanoff on Adrienne Miller's
In the Land of Men
By
Zan Romanoff
| February 10, 2020
Vivian Gornick and the Revolution That Won't End
John Freeman with the Author of
Unfinished Business
By
John Freeman
| February 10, 2020
The Maggie Nelson Test for Lesbian Dating Success
Jenn Shapland on
The Argonauts
and Building a Life
By
Jenn Shapland
| February 10, 2020
Best Reviewed
Books of the Week
Brilliance and Blind Spots:
Rereading Joan Didion in This Hard American Winter of 2020
By
Gabrielle Bellot
| February 7, 2020
How Detective Fiction Took Hold of Los Angeles
By
Sam Wasson
| February 7, 2020
Searching for Queerness in the Corners of History
By
Catie Disabato
| February 7, 2020
The 25 Best Bad Amazon Reviews of
The Talented Mr. Ripley
"OK, first of all, Ripley is a loser."
By
Emily Temple
| February 4, 2020
Googling Literary Lesbians:
On Carson McCullers and the Erotics of Incompletion
Sarah Heying Asks "The Sappho Question"
By
Sarah Heying
| February 4, 2020
Jane Austen, Gritty Educational Reformer of the Working Class
Janine Barchas on How the Proliferation of Penny Editions
Brought Literature to the Masses
By
Janine Barchas
| February 4, 2020
Capitalism Has Distorted Desire in the #MeToo Era
A Brief History of Literary Seduction
By
Clement Knox
| February 4, 2020
Was 'The Burning' the Hardest Story for Eudora Welty
To Write?
Disavowing the Rituals of the American Civil War
By
Susan V. Donaldson
| February 4, 2020
On
My Dark Vanessa
and the Way Stories of Trauma Get Told
Red Newsom Considers the Line Between Experience and Fiction
By
Red Newsom
| February 3, 2020
What the Great Russian Writers Didn't Get About the Criminal Mind
Varlam Shamalov Served 15 Years in a Soviet Labor Camp
By
Varlam Shalamov
| February 3, 2020
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Why to Watch This January: 'The Secret Agent'
January 15, 2026
by
Radha Vatsal
A Brief, Disturbing History of Universal Monsters
January 15, 2026
by
Keith Roysdon
Big Pimpin: Pimps in Black Pop Culture from the 1970s to the Early 2000s
January 15, 2026
by
Michael Gonzales
The Best Reviewed Books of the Week
"Poignant Tender The final line of em The Rest of Our Lives em is by…"