Literary Hub » Craft and Advice

“Do Indians Still Exist?” On Intergenerational Trauma and Indigenous Resilience

“Do Indians Still Exist?” On Intergenerational Trauma and Indigenous Resilience

Blair Palmer Yoxall Remembers the Family History That Inspired His Debut Novel

By Blair Palmer Yoxall | May 28, 2026

“Your dangerous shoe.” A Poem by Lila Matsumoto

“Your dangerous shoe.” A Poem by Lila Matsumoto

From the Collection Talk a Blue Streak

By Lila Matsumoto | May 27, 2026

Who Are You When You Lose Your Job? And Other Questions You Can Answer by Making Art

Who Are You When You Lose Your Job? And Other Questions You Can Answer by Making Art

Hugo dos Santos Goes to Work at a Desk in the Basement

By Hugo dos Santos | May 27, 2026

What Happens When You Show Your Parents Your Debut Novel?

What Happens When You Show Your Parents Your Debut Novel?

Mary Berman on Letting Herself Be Vulnerable While Conquering Her Greatest Fear

By Mary Berman | May 27, 2026

Five Things I Got Wrong in My First Novel, According to My Dad

Five Things I Got Wrong in My First Novel, According to My Dad

Joe Bond on Fact-Checking His Work Post-Publication

By Joe Bond | May 26, 2026

Villains Are Just More Interesting Than Heroes (and More F*ckable, If We’re Being Frank)

Villains Are Just More Interesting Than Heroes (and More F*ckable, If We’re Being Frank)

Natalie Zina Walschots on Why We‘re More Drawn to the Bad Guys

By Natalie Zina Walschots | May 22, 2026

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“I Hope to Die Laughing.” On Tom Drury’s The End of Vandalism

By Ross McMeekin | May 22, 2026

Manil Suri on Visualizing Your Book’s Narrative Structure

By Manil Suri | May 22, 2026

Reconsidering Mary McCarthy’s Iconic Friendship Novel The Group

By Rebecca Chace | May 22, 2026

Why We Shouldn’t Feel Guilty For Not Being Extremely Well Read

Why We Shouldn’t Feel Guilty For Not Being Extremely Well Read

Ed Simon Considers the Many Uses and Abuses of Promoting “Great Books”

By Ed Simon | May 21, 2026

It’s All Just Torture Porn: A Record of Failed Attempts to Explain What Trans Lit is “For”

It’s All Just Torture Porn: A Record of Failed Attempts to Explain What Trans Lit is “For”

Katherine Packert Burke Considers the Past, Present and Future of Transgender Literary Representation

By Katherine Packert Burke | May 21, 2026

My Writing Group Forgot My Birthday: Are They the Assholes?

My Writing Group Forgot My Birthday: Are They the Assholes?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | May 21, 2026

Why, As Writers, Do We Cut the Things We Love?

Why, As Writers, Do We Cut the Things We Love?

Kayla Rae Whitaker on the “Animal Data” That Makes Up a Good Story

By Kayla Rae Whitaker | May 20, 2026

A Pawnshop of the Mind: In Praise of Object-Based Writing

A Pawnshop of the Mind: In Praise of Object-Based Writing

Emily Rapp Black Offers Some Advice to Help Craft Your Next Story or Essay

By Emily Rapp Black | May 20, 2026

Ayelet Waldman on What Quilting Taught Her About the Creative Process

Ayelet Waldman on What Quilting Taught Her About the Creative Process

Combining the Writing Life With the Pursuit of a Beloved Hobby

By Ayelet Waldman | May 19, 2026

How Just a Few Taps on a Bunch of Buttons Can Curate Meaning

How Just a Few Taps on a Bunch of Buttons Can Curate Meaning

Robert Isaacs on the Rhythm of Writing

By Robert Isaacs | May 19, 2026

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