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  • Craft and Criticism
    • Literary Criticism
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    • Thresholds
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  • Log In
Are We Different Writers When We Move From Longhand to a Screen?

Are We Different Writers When We Move From Longhand to a Screen?

A Brief History of Panic in the Face of New Writing Technology

By James Draney | August 18, 2017

Getting It Right: How to Rebuild Scenes from the Past

Getting It Right: How to Rebuild Scenes from the Past

Benjamin Rachlin Goes Deep on the Research

By Benjamin Rachlin | August 18, 2017

Jill Bialosky: The Time I Moved to New York City to Be a Poet

Jill Bialosky: The Time I Moved to New York City to Be a Poet

On Finding Meaning in Art and Work in the Big City

By Jill Bialosky | August 17, 2017

Fact, Fiction, and When a Novel Crosses the Line

Fact, Fiction, and When a Novel Crosses the Line

Joanna Scott on the Illusive Boundaries of Truth and Literature

By Joanna Scott | August 15, 2017

How to Write This Year’s “Definitive Novel” of the East Village in the 1980s

How to Write This Year’s “Definitive Novel” of the East Village in the 1980s

Jarett Kobek Gives Away His Professional Secrets

By Jarett Kobek | August 14, 2017

Katie Kitamura on Subverting Tropes in <em>A Separation</em>

Katie Kitamura on Subverting Tropes in A Separation

Because All Books Have Dead Women and Tidy Endings

By Emily Temple | August 14, 2017

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Writing Just Enough Detail, But Not Too Much

By Daniel Galera | August 14, 2017

How Pickles Help Me Survive the Horrible, Wonderful Life of a Writer

By Danya Kukafka | August 11, 2017

Charlie Jane Anders on Writing the Future

By Emily Temple | August 10, 2017

Good Memoir Comes From Saying What Can't Be Said

Good Memoir Comes From Saying What Can't Be Said

Dani Shapiro on What We Lose by Using Twitter

By Emily Temple | August 8, 2017

On the Redemptive Generosity of Artistic Communities

On the Redemptive Generosity of Artistic Communities

How to Find a Little Hope in These Dark Times

By Veronica Esposito | August 8, 2017

Do I Have the Right to Inhabit Another's Mental Illness in Fiction?

Do I Have the Right to Inhabit Another's Mental Illness in Fiction?

Sarah Faber on Writing Her Mother's Life

By Sarah Faber | August 7, 2017

Writers, Protect Your Inner Life

Writers, Protect Your Inner Life

A writing life and a writing career are two separate things

By Lan Samantha Chang | August 7, 2017

What Trying to Finish a Crime Novel Taught Me About Writing

What Trying to Finish a Crime Novel Taught Me About Writing

Jennifer Kitses on Some Hard-Won Lessons from Genre

By Jennifer Kitses | August 4, 2017

So You've Decided to Write: How the Hell Do You Get Paid?

So You've Decided to Write: How the Hell Do You Get Paid?

Once Upon a Time, Writers Made Five Dollars a Word

By Terry McDonell | August 2, 2017

The Weird Stenographer: Sam Shepard on His Long Writing Life

The Weird Stenographer: Sam Shepard on His Long Writing Life

RIP the Great American Playwright

By Emily Temple | August 1, 2017

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    • The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. BerryOctober 24, 2025 by Polly Stewart
    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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