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Cynthia D’Aprix Sweeney on Starting All Over Again... And Again

Cynthia D’Aprix Sweeney on Starting All Over Again... And Again

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 13, 2021

How Do You Write a Biography Filled With Unreliable Witnesses?

How Do You Write a Biography Filled With Unreliable Witnesses?

Emily Midorikawa on the Challenges of Reconstructing Lived Histories

By Emily Midorikawa | May 12, 2021

What Will the Literature of Motherhood Look Like After COVID?

What Will the Literature of Motherhood Look Like After COVID?

Ashley Nelson Levy on Pandemic Parenting in America

By Ashley Nelson Levy | May 12, 2021

Josh Linkner on the Secret to Creativity Unlocked by Pointillism

Josh Linkner on the Secret to Creativity Unlocked by Pointillism

In Conversation with Andrew Keen on the Keen On Podcast

By Keen On | May 12, 2021

On Finally Finding a Home Where the Outsiders Are In

On Finally Finding a Home Where the Outsiders Are In

How Jessica Anya Blau’s Novel is an Ode to Anne Tyler, Baltimore, and the Spirit of the Oddball

By Jessica Anya Blau | May 12, 2021

Elissa Washuta on Tweeting Her Way to Her Voice

Elissa Washuta on Tweeting Her Way to Her Voice

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 12, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Jennifer Weiner’s Dream Reader is Any Woman

By Literary Hub | May 11, 2021

Joan Silber on Writing Double Maneuvers and Deception

By Jane Ciabattari | May 11, 2021

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

By Teddy Wayne | May 11, 2021

Alison Bechdel on Transcendentalism, Bliss, and <em>The Secret to Superhuman Strength</em>

Alison Bechdel on Transcendentalism, Bliss, and The Secret to Superhuman Strength

The Author of Fun Home Discusses Writing Beyond Language

By Corinne Segal | May 10, 2021

Kate Durbin on Finding Beauty in the Possessions That Possess Us

Kate Durbin on Finding Beauty in the Possessions That Possess Us

Chelsea Hodson Talks with the Author of Hoarders

By Chelsea Hodson | May 10, 2021

What Do We Mean When We Say a Novel is Without Plot?

What Do We Mean When We Say a Novel is Without Plot?

Rónán Hession on Writing a Reflective, Digressive, and Quiet Novel

By Rónán Hession | May 10, 2021

Why Elizabeth McCracken Loves Ventriloquism and Other Weird Show Business

Why Elizabeth McCracken Loves Ventriloquism and Other Weird Show Business

In Conversation with Mitzi Rapkin on First Draft

By First Draft: A Dialogue on Writing | May 10, 2021

Interview with a Journal: <em>The Point</em>

Interview with a Journal: The Point

Everything You Need to Know About the James Wood-Approved Magazine of Philosophical Writing

By Vanessa Willoughby | May 10, 2021

Hanif Abdurraqib on Censoring the Desires of Whiteness in Storytelling

Hanif Abdurraqib on Censoring the Desires of Whiteness in Storytelling

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | May 7, 2021

Interview with a Journal: <em>ZYZZYVA</em>

Interview with a Journal: ZYZZYVA

Everything You Need to Know About the San Francisco-Based Literary Journal

By Vanessa Willoughby | May 7, 2021

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Page 175 of 263
    • 5 Novels with Perfectly Unsympathetic ProtagonistsJanuary 29, 2026 by Sophie Hannah
    • Adriane Leigh on Why We Are Living in the Age of the Unreliable NarratorJanuary 29, 2026 by Adriane Leigh
    • The Greatest Muckrakers of the Progressive EraJanuary 29, 2026 by Rob Osler
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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