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Soon Wiley on Marrying Literary and Genre Fiction in His Debut Novel

Soon Wiley on Marrying Literary and Genre Fiction in His Debut Novel

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 13, 2022

When Writing a Novel, Forget the How and Focus on the What

When Writing a Novel, Forget the How and Focus on the What

Carter Bays on the Transition from Scripts to Books, and Learning to Trust His Own Style

By Carter Bays | June 10, 2022

Tom Perrotta on How to Keep a Story’s Momentum Going

Tom Perrotta on How to Keep a Story’s Momentum Going

And the Beauty of a Clear Time Frame

By Tom Perrotta | June 10, 2022

What Draws Us to Certain Classic Texts Over Others?

What Draws Us to Certain Classic Texts Over Others?

Five Writers on Yeats, Dickinson, Issa, Woolf, and Herrick

By Micro Podcast | June 10, 2022

From Mary Churchill’s Diary: An Intimate Glimpse of World War II

From Mary Churchill’s Diary: An Intimate Glimpse of World War II

“Glory Hallelujah!! A delicious poke in the snoot for Hitler.”

By Mary Churchill | June 10, 2022

Catherine Lloyd on Writing Historical Characters with Progressive Views

Catherine Lloyd on Writing Historical Characters with Progressive Views

In Conversation with C. P. Lesley on the New Books Network

By New Books Network | June 10, 2022

Best Reviewed
Books of the Week

  • On Morrison
  • Leaving Home: A Memoir in Full Colour
  • So Old, So Young
  • Rebel English Academy
  • A Hymn to Life: Shame Has to Change Sides
  • Evil Genius

Sloane Crosley on Writing a Novel For People Who Haven’t Figured It Out Yet

By Kristin Iversen | June 9, 2022

Who Are the “Real” Writers, Anyway?

By Leigh Newman | June 9, 2022

Dan Chaon on When Science Fiction Is No Longer Science Fiction

By The Maris Review | June 9, 2022

Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood

Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood

Greg Marshall Talks to the Star of Netflix's Special, aka the “Gay, Disabled Nancy Meyers”

By Greg Marshall | June 9, 2022

WATCH: Why James Patterson no longer introduces himself to people reading his books.

WATCH: Why James Patterson no longer introduces himself to people reading his books.

By Jonny Diamond | June 8, 2022

Why Writers Need to Confront and Create With Their Most Unpleasant Emotions

Why Writers Need to Confront and Create With Their Most Unpleasant Emotions

Philip Schultz Discusses the Creative Power Behind Anger and Shame

By Philip Schultz | June 8, 2022

Why I Make Rules for My Writing Students—And Why I Break Them

Why I Make Rules for My Writing Students—And Why I Break Them

Adam White on Teaching Writing (and Jack Nicklaus)

By Adam White | June 8, 2022

Elissa Washuta on Reckoning with the Insoluble Puzzles of the Universe

Elissa Washuta on Reckoning with the Insoluble Puzzles of the Universe

In Conversation with Jordan Kisner on Thresholds

By Thresholds | June 8, 2022

Abbigail Nguyen Rosewood on “Literary Destiny” and the Topics of Our Obsession

Abbigail Nguyen Rosewood on “Literary Destiny” and the Topics of Our Obsession

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | June 8, 2022

Not Your Stock Grandma: On a Refreshing (and Relatable) Character in <em>Dicey’s Song</em>

Not Your Stock Grandma: On a Refreshing (and Relatable) Character in Dicey’s Song

This Week on the NewberyTart Podcast

By NewberyTart | June 8, 2022

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Page 167 of 332
    • 2026: The Year of CorvidaeFebruary 27, 2026 by Molly Odintz
    • Jennifer Sklias-Gahan On Gothic Literature and the Magic of StorytellingFebruary 27, 2026 by Jennifer Sklias-Gahan
    • What to Watch This Weekend: February 28, 2026February 27, 2026 by Dwyer Murphy
    • On Morrison
    • The Best Reviewed Books of the Week
    • "This is informed accessible literary analysis that demonstrates that Morrison s true genius was as…"
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