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'Pemi Aguda on the Influence of Miami on Her Upcoming Novel

'Pemi Aguda on the Influence of Miami on Her Upcoming Novel

In Conversation with Miami Book Fair's Emerging Writer Fellow

By Literary Hub | May 5, 2022

What It Means to Anthologize the Literature of Abortion

What It Means to Anthologize the Literature of Abortion

Annie Finch, Editor of Choice Words: Writers on Abortion, in Conversation with Some Contributors

By Literary Hub | May 5, 2022

There Is Grace in Patience: On the Writing Lessons of Tarot

There Is Grace in Patience: On the Writing Lessons of Tarot

Abbigail Nguyen Rosewood Considers Trust, Discovery, and Dreaming While Awake

By Abbigail Nguyen Rosewood | May 5, 2022

Alex George on the “Absolutely Extraordinary Journey” of Running a Book Festival

Alex George on the “Absolutely Extraordinary Journey” of Running a Book Festival

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | May 5, 2022

WATCH: Liana Finck on Retelling the Book of Genesis

WATCH: Liana Finck on Retelling the Book of Genesis

In Conversation with Hilary Fitzgerald Campbell at Greenlight Bookstore

By The Virtual Book Channel | May 5, 2022

What It Took to Finally Write Honestly About My Mental Illness

What It Took to Finally Write Honestly About My Mental Illness

Joanne Greenberg on Claiming Her Name and Her Story

By Joanne Greenberg | May 5, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

“We’re the Fools in Charge of Forgiveness.” Steve Almond on the Task of the Social Novelist

By Otherppl with Brad Listi | May 4, 2022

The Story That Saved Me: On Writing My Way Out of a Life That No Longer Felt Like Mine

By Lauren McBrayer | May 4, 2022

Hernan Diaz: “I Wouldn’t Be the Person I am Without Borges.”

By Jane Ciabattari | May 3, 2022

Lessons Learned from a Year Listening to the Fictional Octopus in My Head

Lessons Learned from a Year Listening to the Fictional Octopus in My Head

Shelby Van Pelt on an Unlikely Friend and Saying What You Mean

By Shelby Van Pelt | May 3, 2022

How the Small Moments That Haunt Us Can Form the Seeds of a Novel

How the Small Moments That Haunt Us Can Form the Seeds of a Novel

Steve Almond on Writing as a Means of Dealing With Obsession

By Steve Almond | May 3, 2022

Love is Space: Notes on Marriage and Creativity

Love is Space: Notes on Marriage and Creativity

Andrea Bajani on Writing, Solitude, and Forgiveness

By Andrea Bajani | May 2, 2022

"Structure is Everything." Keith O'Brien on Structuring a Nonfiction Narrative

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 2, 2022

Alexander Chee on Staying Organized While Writing

Alexander Chee on Staying Organized While Writing

"I needed some stronger record of what I was doing"

By Alexander Chee | April 29, 2022

Robert M. Pirsig on the Book He Wrote (And the One He Didn’t)

Robert M. Pirsig on the Book He Wrote (And the One He Didn’t)

“Gradually, I began to discover that I was on to more than I had thought.”

By Robert M. Pirsig and Wendy K. Pirsig | April 29, 2022

How the Russian and Ukrainian Languages Intersect in Eugene Vodolazkin’s <em>Brisbane</em>

How the Russian and Ukrainian Languages Intersect in Eugene Vodolazkin’s Brisbane

Marian Schwartz on the Current State (and Future) of Russian Literature in Translation

By Marian Schwartz | April 29, 2022

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Page 135 of 262
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    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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