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Brian Alan Ellis on Making “Garden Variety Pain” Readable and Unique

Brian Alan Ellis on Making “Garden Variety Pain” Readable and Unique

In Conversation with Kirsten Reneau for the Micro Podcast

By Micro Podcast | May 20, 2022

Khan Wong on Hula Hooping, Asexuality, and Creating the Universe of His Debut Novel

Khan Wong on Hula Hooping, Asexuality, and Creating the Universe of His Debut Novel

In Conversation with Rob Wolf on the New Books Network

By New Books Network | May 20, 2022

Annie Harnett on What Living in a Cemetery Meant to Her Novel

Annie Harnett on What Living in a Cemetery Meant to Her Novel

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 19, 2022

Looking to Songs and Sermons to Structure a Memoir About Fighting for Black Lives

Looking to Songs and Sermons to Structure a Memoir About Fighting for Black Lives

Andre Henry on Pulling from the Genres that Shaped His Life

By Andre Henry | May 19, 2022

Mary Laura Philpott on Why Structure Is Always Story

Mary Laura Philpott on Why Structure Is Always Story

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 18, 2022

What Do Writing a Novel and Tending a Garden Have in Common?

What Do Writing a Novel and Tending a Garden Have in Common?

Naheed Phiroze Patel on the Life-Long Projects of Writing and Gardening

By Naheed Phiroze Patel | May 18, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

You Can’t Have Creativity Without Boredom

By Aaron Angello | May 18, 2022

How War Literature Occupies the Realms of Both Fact and Fiction

By Phil Klay | May 17, 2022

Emma Straub’s Advice for What to Wear to a Book Launch

By Emma Straub | May 17, 2022

Victoria Shorr on the Art of the Novella

Victoria Shorr on the Art of the Novella

”They take you—for one evening if you don't put it down, longer if you draw it out—to a place that you can see in sharp detail.”

By Victoria Shorr | May 17, 2022

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

The Author of Forbidden City Talks to Jane Ciabattari

By Jane Ciabattari | May 17, 2022

Ada Limón on Why Being Witnessed Is Essential For an Artist

Ada Limón on Why Being Witnessed Is Essential For an Artist

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 16, 2022

On the Power and Purpose of Historical Fiction

On the Power and Purpose of Historical Fiction

A Conversation Between Eva Stachniak and Christina Baker Kline

By Literary Hub | May 16, 2022

On My Love of Libraries: Lessons From My Father

On My Love of Libraries: Lessons From My Father

Rachel M. Harper: “I was a fellow worshipper, a member of the tribe; his daughter.”

By Rachel M. Harper | May 16, 2022

Live at the Red Ink Series: On Writing and Dreams

Live at the Red Ink Series: On Writing and Dreams

Featuring Claire Messud, Julia May Jonas, Jean Chen Ho, Emily Maloney, and Daphne Palasi Andreades

By Michele Filgate | May 16, 2022

Ada Limón on How to Write a Poetry Collection

Ada Limón on How to Write a Poetry Collection

"No one can predict the creative process."

By Ada Limón | May 13, 2022

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Page 133 of 261
    • Thinking Outside the Cop: Using Game Wardens in Crime FictionJanuary 13, 2026 by Sarah Crouch
    • Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded AntagonistsJanuary 13, 2026 by Isha Raya
    • Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical FictionJanuary 13, 2026 by Alex Dueben
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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