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Literary Criticism
Virginia Woolf's Depression Shouldn't Define Her
How We Often Overlook the Writer's Otherwise Happy Life
By
Maggie Gee
| March 6, 2019
Michael Moorcock on H.G. Wells, Reluctant Prophet
A Sci-Fi Master on the Cusp of Modernism
By
Michael Moorcock
| March 5, 2019
Has the New Dark Age Begun Yet?
Peter Fleming on Why He Writes Toward Apocalypse
By
Peter Fleming
| March 4, 2019
A Novel for Our Times
Francisco Goldman on Valeria Luiselli
By
Francisco Goldman
| March 1, 2019
8 Gilded Age Stories That Predicted the Future
These Writers Foresaw Solar Power, the Internet, and Vaping
By
Stephanie Gorton
| February 28, 2019
On the Overdue Evolution of Immigrant Narratives
"Immigrant literature is a redundant category."
By
Irina Reyn
| February 28, 2019
Best Reviewed
Books of the Week
Now is the Time for Equity Journalism
By
Melissa Chadburn
| February 27, 2019
Geoff Dyer Goes Deep on WWII Classic
Where Eagles Dare
By
Geoff Dyer
| February 26, 2019
If de Tocqueville Predicted Twitter, Balzac Knew Trump Would Use It
By
Liesl Schillinger
| February 26, 2019
The Black Women Who Wrote America's Earliest Autofiction
On Following a Radical Lineage Back to the Slave Narrative
By
Maryam Kazeem
| February 25, 2019
If Beale Street Could Talk
: How Does Barry Jenkins Measure Up to James Baldwin?
Ahead of the Oscars Ben Rybeck Previews the Best Adapted Screenplay Nominees
By
Ben Rybeck
| February 22, 2019
How Louisa May Alcott Landed on the Front Lines of the Civil War
"The door of opportunity opened just a crack."
By
Samantha Seiple
| February 22, 2019
On David Foster Wallace's Obsession With Failure
What Happens When Failure is the End Point?
By
Ryan Lackey
| February 21, 2019
Eula Biss: "A book I can’t defend, a book I can’t renounce."
Reflections on a Book and a Decade of Whiteness
By
Eula Biss
| February 20, 2019
On the Iconic First Line of
One Hundred Years of Solitude
Time Passes Differently in the Tropics
By
Claire Adam
| February 19, 2019
A Love Letter to Lovers of
Outlander
You Inhabit a Wild and Curious Planet
By
Amanda Feinman
| February 14, 2019
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“Profit is the Only Principle”: How 'Point Blank' Presaged Our Current Moment
April 23, 2026
by
Greg Wands
What to Watch Now, International Edition: The Two Prosecutors (2025)
April 23, 2026
by
Radha Vatsal
6 Thrillers That Sit with Discomfort and Ethical Ambiguities
April 23, 2026
by
Michael Cowan
The Best Reviewed Books of the Week
"A social satire full of dopamine-releasing one-liners and sparkling writing But it can be frustratingly…"