Literary Hub » Craft and Advice

If Rachel Aviv Weren’t a Writer, She’d Be a Psychologist

If Rachel Aviv Weren’t a Writer, She’d Be a Psychologist

The Author of You Won’t Get Free of It Takes the Lit Hub Questionnaire

By Literary Hub | July 9, 2026

The Satire and Style of <em>Vanity Fair</em> is as Relevant as Ever

The Satire and Style of Vanity Fair is as Relevant as Ever

Roshan Sethi on William Makepeace Thackeray’s Famous Novel

By Roshan Sethi | July 9, 2026

A Room of Her Own: What Women Writers Sacrifice to Pursue Their Passion

A Room of Her Own: What Women Writers Sacrifice to Pursue Their Passion

Lisa Owens on Balancing the Demands of Motherhood With a Creative Life

By Lisa Owens | July 8, 2026

Writing Underwater: What Diving Taught Me About Trauma and Creativity

Writing Underwater: What Diving Taught Me About Trauma and Creativity

Emeline Atwood on Fear, Recovery and Writing Fiction Based on Lived Experience

By Emeline Atwood | July 8, 2026

An Imaginary Throuple Saved My Writing Career

An Imaginary Throuple Saved My Writing Career

Kendra Allen on Writing—and Surviving—Her First Novel

By Kendra Allen | July 7, 2026

A Poet’s Account of the Power of the Yodel

A Poet’s Account of the Power of the Yodel

“One has to be willing to humiliate oneself in order to yodel, there is no spiritual bypass.”

By Valerie Hsiung | July 6, 2026

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Plato’s Symposium Is Actually About Love

By Cat Fitzpatrick | July 6, 2026

The Unexpected Joys of a Geriatric Debut

By Donovan McAbee | July 6, 2026

Am I the Asshole For Refusing an Invitation to Submit Work?

By Kristen Arnett | July 2, 2026

Break to Sing: Seven New Poetry Collections to Read in July

Break to Sing: Seven New Poetry Collections to Read in July

Rebecca Morgan Frank Recommends Victoria Chang, Anna Journey, Phillip B. Williams, and More

By Rebecca Morgan Frank | July 2, 2026

Jenny Jackson on the Literary Potential of Gossip

Jenny Jackson on the Literary Potential of Gossip

“If you find yourself hanging on every word of a whispered story, chances are the reader will too.”

By Jenny Jackson | July 2, 2026

Why Soledad Acosta de Samper’s <em>Dolores</em> is a Unicorn in the Practice of Translation

Why Soledad Acosta de Samper’s Dolores is a Unicorn in the Practice of Translation

Sara Abadía Alvarado on Preserving and Protecting the Original Translation of the Novel

By Sara Abadía Alvarado | July 1, 2026

Christina Anderson on Wallace Shawn’s <em>The Fever</em>

Christina Anderson on Wallace Shawn’s The Fever

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 1, 2026

The Reluctant Researcher: How I Ended Up Writing a Historical Novel

The Reluctant Researcher: How I Ended Up Writing a Historical Novel

Ethan Joella: “Writing what you know is only limited by what you take the time to know.”

By Ethan Joella | June 30, 2026

Walter Mosley: “A Novel is Not a Machine”

Walter Mosley: “A Novel is Not a Machine”

On the Pleasure of Encountering Something New

By Walter Mosley | June 26, 2026

Ye Hui on the Innovations of Translation, His Writing Process, and the Relief of Finishing a Poem

Ye Hui on the Innovations of Translation, His Writing Process, and the Relief of Finishing a Poem

In Conversation with Peter Mishler

By Peter Mishler | June 26, 2026

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