TODAY: In 1605, the first edition of El Ingenioso hidalgo Don Quijote de la Macha by Miguel de Cervantes is published in Madrid, Spain. 
  • Christian Lorentzen traces the history of short story anthologies from their pale and sickly beginnings. | Vulture
  • On starting every young and vulnerable year with The Great Gatsby. | Sacred Trespasses
  • From lit wicks to the horizontal mambo, the metaphorical, “quick-and-dirty ways” we write about sex. | Hazlitt
  • From Dante to Díaz, a reading list of Bowie’s 100 favorite books. | David Bowie
  • A. Igoni Barrett on the “congested, cacophonous, chaotic, cosmopolitan, captivating” city of Lagos and the writing life in Nigeria. | Electric Literature
  • Reconciling twinned layers of poetry: Chloe Garcia Roberts and Guangchen Chen discuss translating the notoriously obscure 9th century poet Li Shangyin. | Critical Flame
  • Parul Sehgal’s new column debuted with her reflections on the “spider of a writer” Bohumil Hrabal. | The New York Times
  • “There it was. A new tumor, large, filling my right middle lobe.” An excerpt from neurosurgeon Paul Kalanithi’s posthumously published memoirWhen Breath Becomes AirThe New Yorker
  • The White Review’s translation issue, which includes work by/interviews with Marlene van Niekerk, Eka Kurniawan, Fiston Mwanza Mujila, and others. | The White Review
  • Margaret Atwood on watching her speculative fiction become reality, “however many shades of grey,” and drinking blood. | Broadly
  • Ta-Nehisi CoatesSheila HetiGeorge Saunders, and (many) others share their “breakthrough moments.” | New York Magazine
  • “Their identities were magnified by the other.” Patti Smith on the inspiring love and artwork of Frida Kahlo and Diego Rivera. | Smithsonian Magazine
  • symbolic monument/fundraiser aiming to rebuild the University of Baghdad’s destroyed library. | Hyperallergic
  • “The entire Western world is saturated by black female figures, everywhere.” An interview with Robin Coste Lewis. | BOMB Magazine
  • Hundreds of writers in 44 countries participated in coordinated readings of Ashraf Fayadh’s poetry to protest his death sentence. | The Guardian

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