TODAY: In 1920, professor Isaac Asimov, science fiction writer, is born. 
  • In a reality show begging to be made, This Old House’s Bob Vila is working to restore Hemingway’s Cuban home and the papers stored there. | NPR
  • “It is language that pulls moments into their reality.” Claudia Rankine discusses the complicated nature of racism, loose anthropological exercises, and reading Adrienne Rich. | The Guardian
  • A contest, with voting, was held to select this fan-designed cover for Infinite Jest’s 20th anniversary. | IJ20
  • “Literary prankster” Mario Bellatin has very seriously demanded that no one buy his most recent reissued novel. | The New Yorker
  • The best book of 2015 (about Marvin Gaye) and of other less timely years (19652003195520061970). | Granta
  • “Today we are going to have a nice lesson.” A short story by Hilary Mantel. | The London Review of Books
  • Sharon Olds on finding inspiration in tedious hymns and gorgeous Psalms, receiving enraged rejection slips, and writing “less worse” poetry. | Divedapper
  • “It’s not Marjorie Perloff that must leave the poetry world; we must leave it.” Fred Moten responds to Marjorie Perloff’s shockingly racist defense of Kenneth Goldsmith. | Entropy
  • Existentialist cafés, blessed patriarchs, and Don DeLillo’s 17th novel: ten books to look forward to in 2016. | BBC
  • A belated holiday gift from Lenny: their Winter Poetry Issue, which includes work by Morgan ParkerAriana ReinesChelsea Martin, and Diamond Sharp. | Lenny
  • The inaugural installment of Otherworldly, N. K. Jemisin’s new science fiction and fantasy review column. | The New York Times Sunday Book Review
  • “This is the vanguard of slow-minded liberal whiteness, myopia imposed through righteousness. My freedom of expression is to acknowledge that.” Fariha Róisín reflects on the year in Islamaphobia. | Hazlitt
  • Barnes & Noble is considering serving alcohol and not shutting down the Barnes & Noble Review; it is just taking a holiday break, like the rest of us. | LA Times, The New Republic
  • Right now they were just boys. I was just a boy. And still these guns were real and my skin was black.” Clint Smith on shooting guns, what gets to be called an error, and Tamir Rice. | The New Yorker
  • George Saunders on letting the world kick his ass, the importance of variation, and how humor is like his oxygen. | TriQuarterly

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