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How Hollywood Made J. Edgar Hoover and the FBI Into the Mythical “G-Men”
On the PR Campaign That Changed the Modern FBI
December 12, 2022
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The
Kindred
Adaptation Reclaims Octavia Butler’s “Grim Fantasy” for a New Era
Gabrielle Bellot: “No matter how long ago slavery might seem, it is always disquietingly close to us, both in time and memory.”
December 12, 2022
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When Your Book Tour is Interrupted by a Near-Death Experience
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December 12, 2022
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Elizabeth Strout: How Her Imagination as a Child Has Steered Her Writing Career
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James Bridle Considers the Possibilities of Ecological AI
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December 12, 2022
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How CokeMachineGlow.com Defined a Decade of Music Writing
Clayton Purdom on the Enduring Afterlife of the Old, Weird Internet
December 12, 2022
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Talking to January LaVoy about the 2022 Best Science Fiction and Fantasy Audiobooks
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Why America Needs a “Sputnik Moment” To Reform Its Radically Inegalitarian Healthcare System
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Are We on the Brink of an AI Age in Which Talking With Machines Will Be Considered Both Normal and Essential?
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December 12, 2022
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The Earl and the Pharaoh: From the Real Downton Abbey to the Discovery of Tutankhamun
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The Easy Life
Marguerite Duras (trans. Emma Ramadan and Olivia Baes)
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Lit Hub Weekly: December 5-9, 2022
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Markus Dohle is resigning from Penguin Random House.
December 9, 2022
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The Best Reviewed Literature in Translation of 2022
Featuring Olga Tokarczuk, Eleną Ferrante, Fernanda Melchor, Yoko Tawada, and More
December 9, 2022
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Sam Lipsyte on the What and the How of Writing
“Style is your filter on all of this... how it summons language in you, how life comes to be alive on the page.”
December 9, 2022
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How Chekhov Made Sense of His Surroundings Through Writing Short Stories
Bob Blaisdell on Chronicling the Literary and Personal Life of One of Russia’s Most Prolific Writers
December 9, 2022
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What the Early 20th-Century War on Radical Workers Tells Us About the Struggle Between Labor and Capital in America Today
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December 9, 2022
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The Best Reviewed Graphic Literature of 2022
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December 9, 2022
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