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Alia Trabucco Zerán on Writing About Women Who Kill

Alia Trabucco Zerán on Writing About Women Who Kill

“Their crimes are a privileged window from which to observe how the very meaning of womanhood has changed over time.”

By Alia Trabucco Zerán | November 9, 2022

Hugh Bonneville on His Illustrious <em>Downton Abbey</em> Castmate, Maggie Smith

Hugh Bonneville on His Illustrious Downton Abbey Castmate, Maggie Smith

“We all knew Highclere Castle was the lead character. And we all knew that Maggie Smith ran a pretty close second.”

By Hugh Bonneville | November 9, 2022

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

What Japan Can Teach Urban Americans About Regenerating Rural Values and Practices

Richard McCarthy in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

Our Man in Tokyo: Could Pearl Harbor Have Been Avoided With More Skillful American Diplomacy?

Steve Kemper in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Why “Writing” Has Nothing to Do With Being a “Writer”

Why “Writing” Has Nothing to Do With Being a “Writer”

Eduardo Halfon in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

How the 2012 Murder of a Mexican Journalist Should Be a Warning About Press Freedoms in America

How the 2012 Murder of a Mexican Journalist Should Be a Warning About Press Freedoms in America

Katherine Corcoran in Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2022

Best Reviewed
Books of the Week

  • They
  • This Is Not About Us
  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

Ben Aitken Reads from His New Memoir The Marmalade Diaries

By Damian Barr's Literary Salon | November 9, 2022

How many of these iconic fictional writers can you identify?

By Katie Yee | November 8, 2022

Reading Through the Midterms: Finding Bipartisanship with Books on the Front Lines of Democracy

By Kristopher Jansma | November 8, 2022

Reading the Power Dynamics of Gender in Ovid’s <em>Metamorphoses</em>

Reading the Power Dynamics of Gender in Ovid’s Metamorphoses

Stephanie McCarter on Finding New Meaning in a Classic

By Stephanie McCarter | November 8, 2022

How Grief and Revenge Made Geronimo Into a Legendary War Chief

How Grief and Revenge Made Geronimo Into a Legendary War Chief

Before Geronimo Became the Apaches’ Fabled War Commander, He Lost Everything

By H.W. Brands | November 8, 2022

Nana Kwame Adjei-Brenyah on Writing Rap Music About Nabokov

Nana Kwame Adjei-Brenyah on Writing Rap Music About Nabokov

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | November 8, 2022

“The Cat Thief” by Son Bo-mi, Translated by Janet Hong

“The Cat Thief” by Son Bo-mi, Translated by Janet Hong

From the Latest Issue of Freeman's

By Son Bo-mi and Janet Hong | November 8, 2022

The Globalization Myth: Why Most Economics Is Regional

The Globalization Myth: Why Most Economics Is Regional

Shannon O’Neil in Conversation with Andrew Keen on Keen On

By Keen On | November 8, 2022

How We Interpret and Translate the World is How We See the World

How We Interpret and Translate the World is How We See the World

Andrew Keen on the Writer’s Role

By Andrew Keen | November 8, 2022

The Sign of Our Financial Times: How 2022’s Best Business Books Address the Challenges of Contemporary Global Capitalism

The Sign of Our Financial Times: How 2022’s Best Business Books Address the Challenges of Contemporary Global Capitalism

Andrew Hill in Conversation with Andrew Keen on Keen On

By Keen On | November 8, 2022

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