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Sometimes You Have to Get Lost to Find What You Really Need to Write

Sometimes You Have to Get Lost to Find What You Really Need to Write

Hal Niedzviecki on the Very Modern Problem of Always Knowing Where You Are

By Hal Niedzviecki | June 13, 2022

Soon Wiley on Marrying Literary and Genre Fiction in His Debut Novel

Soon Wiley on Marrying Literary and Genre Fiction in His Debut Novel

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 13, 2022

When Writing a Novel, Forget the How and Focus on the What

When Writing a Novel, Forget the How and Focus on the What

Carter Bays on the Transition from Scripts to Books, and Learning to Trust His Own Style

By Carter Bays | June 10, 2022

Tom Perrotta on How to Keep a Story’s Momentum Going

Tom Perrotta on How to Keep a Story’s Momentum Going

And the Beauty of a Clear Time Frame

By Tom Perrotta | June 10, 2022

What Draws Us to Certain Classic Texts Over Others?

What Draws Us to Certain Classic Texts Over Others?

Five Writers on Yeats, Dickinson, Issa, Woolf, and Herrick

By Micro Podcast | June 10, 2022

From Mary Churchill’s Diary: An Intimate Glimpse of World War II

From Mary Churchill’s Diary: An Intimate Glimpse of World War II

“Glory Hallelujah!! A delicious poke in the snoot for Hitler.”

By Mary Churchill | June 10, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Catherine Lloyd on Writing Historical Characters with Progressive Views

By New Books Network | June 10, 2022

Sloane Crosley on Writing a Novel For People Who Haven’t Figured It Out Yet

By Kristin Iversen | June 9, 2022

Who Are the “Real” Writers, Anyway?

By Leigh Newman | June 9, 2022

Dan Chaon on When Science Fiction Is No Longer Science Fiction

Dan Chaon on When Science Fiction Is No Longer Science Fiction

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | June 9, 2022

Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood

Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood

Greg Marshall Talks to the Star of Netflix's Special, aka the “Gay, Disabled Nancy Meyers”

By Greg Marshall | June 9, 2022

WATCH: Why James Patterson no longer introduces himself to people reading his books.

WATCH: Why James Patterson no longer introduces himself to people reading his books.

By Jonny Diamond | June 8, 2022

Why Writers Need to Confront and Create With Their Most Unpleasant Emotions

Why Writers Need to Confront and Create With Their Most Unpleasant Emotions

Philip Schultz Discusses the Creative Power Behind Anger and Shame

By Philip Schultz | June 8, 2022

Why I Make Rules for My Writing Students—And Why I Break Them

Why I Make Rules for My Writing Students—And Why I Break Them

Adam White on Teaching Writing (and Jack Nicklaus)

By Adam White | June 8, 2022

Elissa Washuta on Reckoning with the Insoluble Puzzles of the Universe

Elissa Washuta on Reckoning with the Insoluble Puzzles of the Universe

In Conversation with Jordan Kisner on Thresholds

By Thresholds | June 8, 2022

Abbigail Nguyen Rosewood on “Literary Destiny” and the Topics of Our Obsession

Abbigail Nguyen Rosewood on “Literary Destiny” and the Topics of Our Obsession

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | June 8, 2022

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Page 130 of 262
    • New Series to Watch this WeekendJanuary 16, 2026 by Olivia Rutigliano
    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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