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Here’s the Quick and Dirty on Foot Fetishes

Here’s the Quick and Dirty on Foot Fetishes

Rachel Feltman Looks Into the Theories Behind Our (Very Common) Fixation on Feet

By Rachel Feltman | May 18, 2022

Finally a History of Art That Includes Female and Non-White Artists

Finally a History of Art That Includes Female and Non-White Artists

Charlotte Mullins in Conversation with Andrew Keen

By Keen On | May 17, 2022

The Significance of Romare Bearden’s Art in the American Canon

The Significance of Romare Bearden’s Art in the American Canon

Glenda Gilmore in Conversation with Andrew Keen

By Keen On | May 16, 2022

Aimee Mullins on Finding a World of Possibilities in Every Problem

Aimee Mullins on Finding a World of Possibilities in Every Problem

From the ArtCenter College of Design’s Bi-Weekly Podcast

By Change Lab | May 11, 2022

How the Bay Area’s Black Cowboys Carry on a Long Tradition

How the Bay Area’s Black Cowboys Carry on a Long Tradition

Gabriela Hasbun on Photographing the Rodeo

By Gabriela Hasbun | May 10, 2022

What Does It Mean to “Look” Ill?

What Does It Mean to “Look” Ill?

Alice Hattrick on Invisible Pain and Elizabeth Barrett Browning's Portrait

By Alice Hattrick | May 10, 2022

Best Reviewed
Books of the Week

  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
  • Contrapposto
  • Earth 7
  • The Traveler: One Man's Quest for Humanity from the South Seas to Revolutionary Paris
  • Flyboy in the Buttermilk: Essays on Contemporary America

How Sylvia Sleigh’s Nude Male Portraits Subverted the Muse Narrative

By Ruth Millington | May 9, 2022

Behind the Scenes at Andy Warhol’s First Big Bash in “Vacant, Vacuous Hollywood”

By Mark Rozzo | May 9, 2022

How Jews Made the Art World Modern

By Keen On | May 9, 2022

The Dust of Ancient Suns: Making Art and Meaning From the Depths of Deep Time

The Dust of Ancient Suns: Making Art and Meaning From the Depths of Deep Time

David Farrier on the Work of Katie Paterson

By David Farrier | May 6, 2022

Charlie Porter on the Unspoken Language of the Sartorial

Charlie Porter on the Unspoken Language of the Sartorial

“What might an artist’s wardrobe say about their bravery and defiance?”

By Charlie Porter | May 3, 2022

We Are in a Golden Age of Historical Fiction for People of Color

We Are in a Golden Age of Historical Fiction for People of Color

Jasmin Darznik on How the Untold Stories of the Past Resonate Today

By Jasmin Darznik | April 29, 2022

“I Know You Understand.” A Letter Across Time from Celia Paul to Fellow Artist Gwen John

“I Know You Understand.” A Letter Across Time from Celia Paul to Fellow Artist Gwen John

"Please help me, Gwen, to work my way through these feelings of panic and fear.”

By Celia Paul | April 26, 2022

Toni Bentley on George Balanchine, the Man Who Loved Women

Toni Bentley on George Balanchine, the Man Who Loved Women

In Conversation With Andrew Keen

By Keen On | April 26, 2022

Illustrating Patricia Highsmith’s Literary Career

Illustrating Patricia Highsmith’s Literary Career

From Grace Ellis and Hannah Templer’s Graphic Novel

By Grace Ellis and Hannah Temper | April 25, 2022

Artist Lita Albuquerque on Regeneration After the Fire

Artist Lita Albuquerque on Regeneration After the Fire

From the ArtCenter College of Design’s Bi-Weekly Podcast

By Change Lab | April 22, 2022

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Page 25 of 61
    • What Should You Watch This Weekend?June 12, 2026 by Dwyer Murphy
    • Indiana Jones at 45: "It's not the years honey, it's the mileage"June 12, 2026 by Alex Dekker
    • Phoebe Atwood Taylor and the Search for the Quintessential Cape Cod MysteryJune 12, 2026 by Dwyer Murphy
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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