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  • Craft and Criticism
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Lars Horn on the Intimate History Between Skin and Ink

Lars Horn on the Intimate History Between Skin and Ink

“To write was, and still is, in some sense, to tattoo, to ink script upon skin.”

By Lars Horn | June 6, 2022

Panoramic Panels: On the Power and Potential of Graphic Novels to Convey a Bygone New York

Panoramic Panels: On the Power and Potential of Graphic Novels to Convey a Bygone New York

A Conversation Between Mark Alan Stamaty, David Hajdu, and John Carey

By Literary Hub | June 6, 2022

It’s a Man’s Art World: The Centuries-Long Struggle of the Leading Lady in <em>Rocco and His Brothers</em>

It’s a Man’s Art World: The Centuries-Long Struggle of the Leading Lady in Rocco and His Brothers

Laura Valenza on How Women in Italian Modern Art Become Symbolic of National Crisis

By Laura Valenza | June 2, 2022

On Domesticity and Memory in James Baldwin and Becky Suss

On Domesticity and Memory in James Baldwin and Becky Suss

Peter L’Official on Suss’s “Brand of Children’s Vision for Adults”

By Pete L’Official | June 2, 2022

Ella Emhoff! Burberry! Dimes Square! A bear costume! “Buzzy wordsmiths!” WTF is going on.

Ella Emhoff! Burberry! Dimes Square! A bear costume! “Buzzy wordsmiths!” WTF is going on.

By Jonny Diamond | June 1, 2022

Discovering Franz Kafka’s Nearly-Lost Drawings

Discovering Franz Kafka’s Nearly-Lost Drawings

Andreas Kilcher on the “Grotesque, Carnivalesque” Inventions

By Andreas Kilcher | June 1, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Nikole Hannah-Jones and Gio Swaby on Portraiture that Uplifts Black Women

By Nikole Hannah-Jones | May 26, 2022

On the Radical, Popular Creator of the First Female Superhero

By Tracy Dawson | May 25, 2022

Defending My Gender: Illustrating a Very Bad Therapy Session

By Emma Grove | May 25, 2022

How Leonardo Da Vinci Became the Ultimate Renaissance Man

How Leonardo Da Vinci Became the Ultimate Renaissance Man

Eden Collinsworth on the Intellectual and Artistic Development of One of History’s Greatest Geniuses

By Eden Collinsworth | May 24, 2022

Photographing Communism(s) and What Life Really Looked Like in Cold War Eastern Europe

Photographing Communism(s) and What Life Really Looked Like in Cold War Eastern Europe

Arthur Grace in Conversation with Andrew Keen

By Keen On | May 24, 2022

Jackie Amezquita on Migration, Memory and Making Art

Jackie Amezquita on Migration, Memory and Making Art

From the ArtCenter College of Design’s Bi-Weekly Podcast

By Change Lab | May 24, 2022

Kate Eichhorn on the Rise of Insta-Artists and Insta-Poets

Kate Eichhorn on the Rise of Insta-Artists and Insta-Poets

And What the Digitalization Of the Arts Means For Culture

By Kate Eichhorn | May 19, 2022

Here’s the Quick and Dirty on Foot Fetishes

Here’s the Quick and Dirty on Foot Fetishes

Rachel Feltman Looks Into the Theories Behind Our (Very Common) Fixation on Feet

By Rachel Feltman | May 18, 2022

Finally a History of Art That Includes Female and Non-White Artists

Finally a History of Art That Includes Female and Non-White Artists

Charlotte Mullins in Conversation with Andrew Keen

By Keen On | May 17, 2022

The Significance of Romare Bearden’s Art in the American Canon

The Significance of Romare Bearden’s Art in the American Canon

Glenda Gilmore in Conversation with Andrew Keen

By Keen On | May 16, 2022

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Page 17 of 46
    • Eli Frankel: I Was the Last Person to Interview the Black Dahlia Murder Witness.November 11, 2025 by Eli Frankel
    • David Baldacci on Pushing Your Characters Into the UnknownNovember 11, 2025 by David Baldacci
    • Eric Heisserer on Filmmaking, Reincarnation, and Writing His First NovelNovember 11, 2025 by Alex Dueben
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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