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Nineteen Ways of Looking at <br>Marilynne Robinson

Nineteen Ways of Looking at
Marilynne Robinson

Kevin Brockmeier on the Literary Prowess (and Workshop Advice) of an American Icon

By Kevin Brockmeier | March 10, 2021

When Philip Roth Switched Publishers, Drama Ensued

When Philip Roth Switched Publishers, Drama Ensued

Ira Nadel Dishes on Life in the Literary 70s

By Ira Nadel | March 10, 2021

Lauren Groff on the Subtle, Poetic Voice of Shirley Hazzard

Lauren Groff on the Subtle, Poetic Voice of Shirley Hazzard

The Transit of Venus “Returns Quietly to the Mind”

By Lauren Groff | March 10, 2021

How I (Barely) Survived the Abject Failure of My Much Hyped Debut Novel

How I (Barely) Survived the Abject Failure of My Much Hyped Debut Novel

David Hollander Tells a Cautionary Tale for Us All

By David Hollander | March 10, 2021

Reckoning with Sentiment (and Writing the Unsaid) in a Novel About Motherhood

Reckoning with Sentiment (and Writing the Unsaid) in a Novel About Motherhood

Lynn Steger Strong in Conversation with Jessica Winter

By Lynn Steger Strong | March 10, 2021

Merve Emre on the Mind-Body Experience of Transcribing <em>Mrs Dalloway</em>

Merve Emre on the Mind-Body Experience of Transcribing Mrs Dalloway

In Conversation with Paul Holdengräber on
The Quarantine Tapes

By The Quarantine Tapes | March 10, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

By Thresholds | March 10, 2021

Patricia Engel on Writing the Shifting Identities of
Diaspora Life

By Jane Ciabattari | March 10, 2021

Dantiel W. Moniz on Endings as Windows Rather than Exits

By WMFA | March 10, 2021

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 10, 2021

This Year’s NBCC Award Finalists: <em>How to Pronounce Knife</em> by Souvankham Thammavongsa

This Year’s NBCC Award Finalists: How to Pronounce Knife by Souvankham Thammavongsa

David Varno on One of the Finalists for Fiction

By David Varno | March 10, 2021

Reading Trans Women with Rosemary Ketchum

Reading Trans Women with Rosemary Ketchum

This Week on the Reading Women Podcast

By Reading Women | March 10, 2021

How Virginia Woolf’s Time-Traveling Androgynous Hero Became Shorthand for Fashion’s Genderless Future 

How Virginia Woolf’s Time-Traveling Androgynous Hero Became Shorthand for Fashion’s Genderless Future 

Sophie Wilson on the Liberation Looks Inspired by Orlando

By Sophie Wilson | March 9, 2021

Was Kazuo Ishiguro’s <em>The Unconsoled</em> the Greatest Literary Practical Joke of All Time?

Was Kazuo Ishiguro’s The Unconsoled the Greatest Literary Practical Joke of All Time?

From the Lit Century Podcast with Sandra Newman
and Catherine Nichols

By Lit Century | March 9, 2021

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Jakob Guanzon, Dawnie Walton, Lucy Ives, and More

By Teddy Wayne | March 9, 2021

This Year’s NBCC Award Finalists: <em>Island on Fire</em> by Tom Zoellner

This Year’s NBCC Award Finalists: Island on Fire by Tom Zoellner

Carlin Romano on One of the Finalists for Nonfiction

By Carlin Romano | March 9, 2021

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    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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