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Craft and Criticism
Morgan Talty on How Form Can Shape Story... If You Listen
In Conversation with Brooke Warner and Grant Faulkner on the
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| September 26, 2022
There Were British Spy Novels Before James Bond
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Why the Chinese Economic Bubble Might Never Pop
Thomas Orlik in Conversation with Andrew Keen on
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Plagues and Their Aftermath: Why Recovering From Covid is Really “Up to Us”
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Keen On
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How Much Sympathy Should We Have for the Children of Privilege Who Have Lost Their Way in Life?
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Keen On
| September 26, 2022
Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page
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| September 23, 2022
How the Upcoming Brazilian Presidential Election is a Referendum on Racism, Misogyny, and Military Rule
Lilia Moritz Schwarcz in Conversation with Andrew Keen on
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Keen On
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Read These If You Aren’t A Poseur: Books That Embody The Punk Ethos
Tea Hacic-Vlahovic Recommends Simon Hanselmann, Pamela Des Barres, Barbara Payton, and More
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How American Shipyard Workers Might Offer Us Lessons on How to Reunite the Country
Michael Fabey in Conversation with Andrew Keen on
Keen On
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Keen On
| September 23, 2022
Jonathan Escoffery on How Nella Larsen's Helga Crane Influenced His Debut Collection
This Week on
The Literary Life with Mitchell Kaplan
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The Literary Life
| September 23, 2022
Who Gets to Compose?
From a New Series by New Music USA and dublab
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New Music USA
| September 22, 2022
Not Just Lyrics and Melodies: How Producers Conceive of Music
Susan Rogers and Ogi Ogas on the Intersections of Musical Form and Functionality
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Susan Rogers and Ogi Ogas
| September 22, 2022
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