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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
What Do We Mean When We Call a Character a “Monster”?
For Jess Zimmerman, One Reader’s Villain is Another’s Hero
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Jess Zimmerman
| March 17, 2022
Just How Much is Jane Austen a Precursor to
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Robert Morrison
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Hillary Jordan and Cheryl Lu-Lien Tan on the Freedom of Writing Anonymously
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Why
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WATCH: NoViolet Bulawayo in Conversation with Novuyo Tshuma
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The Life and Death of a Cutting Edge Literary Journal, c. 1989
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The Rich and Secret Life of a Writer of Reading Guides
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“Fabulous Outfits, Breathlessly Described.” A Reading List of Literary “It” Girls
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The Marvelous Grotesquerie of Katherine Dunn's
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Lost Literature: On "Picket Line," Elmore Leonard's Remarkable, Long-Unpublished Novella
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