Literary Hub » Craft and Criticism

How Can Literary Spaces Support Neurodivergent Readers and Writers?

How Can Literary Spaces Support Neurodivergent Readers and Writers?

Jess deCourcy Hinds on Creating Inclusive Places for Everyone

By Jess deCourcy Hinds | February 2, 2023

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

Of New Books by Pamela Anderson, Salman Rushdie, Patricia Highsmith, and More

By Book Marks | February 2, 2023

Toni Morrison on Craft, Inspiration, and the Time She Met Obama

Toni Morrison on Craft, Inspiration, and the Time She Met Obama

Sarah Ladipo Manyika and Mario Kaiser Talk to an American Literary Icon

By Sarah Ladipo Manyika | February 2, 2023

<em>This Other Eden</em>: Paul Harding on Imagining Our Integrated Past

This Other Eden: Paul Harding on Imagining Our Integrated Past

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 2, 2023

Wendell Steavenson: “Just Lose This Tolstoy Complex, Get Over Yourself and Write Something.”

Wendell Steavenson: “Just Lose This Tolstoy Complex, Get Over Yourself and Write Something.”

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | February 2, 2023

Wade Graham on Our Responsibility to Our Own Communities

Wade Graham on Our Responsibility to Our Own Communities

On the New Season of Authors in the Tent

By The Virtual Book Channel | February 2, 2023

Best Reviewed
Books of the Week

Eleanor Shearer on Writing a Post-Slavery West Indian Novel Celebrating Motherhood and Resilience

By Keen On | February 1, 2023

Toni Morrison’s Powerful Vision of a Revival as a Ceremony for Healing Black Bodies

By Caleb Smith | February 1, 2023

9 Fantastic Sci-Fi and Fantasy Books For February

By Natalie Zutter | February 1, 2023

Annalee Newitz Imagines the Distant Future, 60,000 Years From Now

Annalee Newitz Imagines the Distant Future, 60,000 Years From Now

In Conversation with Andrew Keen on Keen On

By Keen On | February 1, 2023

Hafizah Geter: Why Writing Isn’t Solitary

Hafizah Geter: Why Writing Isn’t Solitary

In Conversation with Jordan Kisner on Thresholds

By Thresholds | February 1, 2023

Tegan Nia Swanson on How to Tell a True Survivor Story

Tegan Nia Swanson on How to Tell a True Survivor Story

"Storytelling allows us to trace rivers of influence and generational patterns back and forth from their source."

By Tegan Nia Swanson | February 1, 2023

Antiquarian Bookseller Tom Ayling on Unearthing the Private Lives of Historic Writers

Antiquarian Bookseller Tom Ayling on Unearthing the Private Lives of Historic Writers

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | February 1, 2023

Antoine Wilson Reads from <em>Mouth to Mouth</em>

Antoine Wilson Reads from Mouth to Mouth

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | February 1, 2023

Kelly Link in Praise of Ursula K. Le Guin’s Genuine Magic

Kelly Link in Praise of Ursula K. Le Guin’s Genuine Magic

“It is striking how resonant Le Guin’s work remains even as the future she describes recedes into our past.”

By Kelly Link | January 31, 2023

Henry Louis Gates Jr. on What Makes a “Classic” African American Text

Henry Louis Gates Jr. on What Makes a “Classic” African American Text

“They reveal the human universal through the African American particular: All true art, all classics, do this.”

By Henry Louis Gates, Jr. | January 31, 2023

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