On the Richness of Isaac Babel’s Odessa

On the Richness of Isaac Babel’s Odessa

Read Boris Dralyuk’s New Translation of “Lyubka the Cossack”

By Isaac Babel | September 27, 2022

What <em>Don Quixote</em> Reveals About an Empire At Its Peak

What Don Quixote Reveals About an Empire At Its Peak

Giles Tremlett on the Baroque Decadence of Spain’s Golden Age

By Giles Tremlett | September 27, 2022

Namwali Serpell on the Complex Processes That Create Fiction

Namwali Serpell on the Complex Processes That Create Fiction

Jane Ciabattari Talks to the Author of The Furrows: An Elegy

By Jane Ciabattari | September 27, 2022

Translating in Tandem: A Reading List of Collaborative Translated Literature

Translating in Tandem: A Reading List of Collaborative Translated Literature

Daniel Hahn and Lisa Dillman Recommend Emi Yagi, José Ovejero, Roy Jacobsen, and More

By Daniel Hahn and Lisa Dillman | September 27, 2022

Six Books That Explore Loss Through Poetic Means

Six Books That Explore Loss Through Poetic Means

Juliet Patterson on Picking Up the Pieces with the Help of Literature

By Juliet Patterson | September 27, 2022

Simon Jacobs on Writing Horror and Nailing Tone

Simon Jacobs on Writing Horror and Nailing Tone

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | September 27, 2022

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Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

By Keen On | September 27, 2022

Richard Reeves Identifies Today’s Crisis of Masculinity and Explains How to Fix It

By Keen On | September 27, 2022

Why the First Lady of Sales Believes the Word “Sales” is Cringeworthy

By Keen On | September 27, 2022

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

Yiyun Li on Writing Advice (the Good, the Bad) and the Books She Always Returns To

The Author of The Book of Goose Takes the Lit Hub Questionnaire

By Literary Hub | September 26, 2022

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman

What It Means to Write in the Direction of Darkness

By Stacey D'Erasmo | September 26, 2022

Read Ted Berrigan’s Original Review of Frank O’Hara’s <em>Lunch Poems</em>

Read Ted Berrigan’s Original Review of Frank O’Hara’s Lunch Poems

“It’s a great book!”

By Ted Berrigan | September 26, 2022

Considering the Poetry of Molly Brodak and the Ache of the Unknowable World

Considering the Poetry of Molly Brodak and the Ache of the Unknowable World

Joseph Earp on Schizophrenia, Recovery, and Finding Connection When You Need It

By Joseph Earp | September 26, 2022

When Male Authors Write Male Violence

When Male Authors Write Male Violence

Philippa Snow on Ryu Murakami’s Novel Piercing

By Philippa Snow | September 26, 2022

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate

“I delete and demolish with zeal.”

By Literary Hub | September 26, 2022

Morgan Talty on How Form Can Shape Story... If You Listen

Morgan Talty on How Form Can Shape Story... If You Listen

In Conversation with Brooke Warner and Grant Faulkner on the Write-minded Podcast

By Memoir Nation | September 26, 2022

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