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When the Best Possible Story is Right Outside Your Door

When the Best Possible Story is Right Outside Your Door

Nathan Deuel on (Trying) to Teach Travel Writing in the Middle of the UCLA Student Protests

By Nathan Deuel | August 9, 2024

My Friends Have Bad Taste in Poetry and I Want to Tell Them: Am I the Literary Asshole?

My Friends Have Bad Taste in Poetry and I Want to Tell Them: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | August 8, 2024

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“As in David Lynch’s ‘Blue Velvet,’ sometimes there are weird men in his closets.”

By Book Marks | August 8, 2024

Jasmin Graham on Understanding Sharks

Jasmin Graham on Understanding Sharks

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | August 8, 2024

Liz Rosenberg on Louisa May Alcott's Essays

Liz Rosenberg on Louisa May Alcott's Essays

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 8, 2024

Making Space for Palestinian Happiness

Making Space for Palestinian Happiness

Nabil Echchaibi on Finding Joy Amidst the Crush of Occupation

By Nabil Echchaibi | August 7, 2024

Best Reviewed
Books of the Week

  • The Keeper
  • The Life You Want
  • The News from Dublin: Stories
  • Kutchinsky's Egg: A Family's Story of Obsession, Love, and Loss
  • Metropolitans: New York Baseball, Class Struggle, and the People's Team
  • A Good Person

Climate Change, AI, and Technological Surveillance: Reading About the Very Near Future

By Helen Phillips | August 7, 2024

Experiencing Place in Fiction: On Allowing Your Characters to Get Lost

By Lena Valencia | August 7, 2024

Sonya Kelly on Jean-Dominique Bauby's The Diving Bell and the Butterfly

By Windham-Campbell Prizes Podcast | August 7, 2024

Helen Phillips on Writing Speculative Fiction in the Age of Artificial Intelligence

Helen Phillips on Writing Speculative Fiction in the Age of Artificial Intelligence

Jane Ciabattari Talks to the Author of “Hum”

By Jane Ciabattari | August 6, 2024

The Lights Don’t Just Go Out: A Lifelong Fainter on How Fiction Gets Fainting All Wrong

The Lights Don’t Just Go Out: A Lifelong Fainter on How Fiction Gets Fainting All Wrong

Sophie Brickman on “Charlotte's Web,” JD Salinger, and Capturing Fainting from the Fainter’s Perspective

By Sophie Brickman | August 6, 2024

Sanity Is Relative: Melissa Broder on Elaine Kraf’s <em>The Princess of 72nd Street</em>

Sanity Is Relative: Melissa Broder on Elaine Kraf’s The Princess of 72nd Street

Considering the Blurred Boundaries Between States of Mania and States of Spiritual Grace

By Melissa Broder | August 6, 2024

Regina Porter! Kafka! True crime with eels! 26 new books out today.

Regina Porter! Kafka! True crime with eels! 26 new books out today.

By Gabrielle Bellot | August 6, 2024

Boccaccio’s Modern Life: What <em>The Decameron</em> Reveals About Contemporary Anxiety

Boccaccio’s Modern Life: What The Decameron Reveals About Contemporary Anxiety

Ed Simon Considers the Act of Storytelling as a Means of Preserving Our Humor and Humanity in Tumultuous Times

By Ed Simon | August 5, 2024

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

Jessica Powers and Kenechi Uzor on What Diversity Means, Defining African Literature, and Taking Risks as Publishers

By Jessica Powers | August 5, 2024

We Are All Nobody: Mary Jo Salter on Finding Beauty and Community in Poetry

We Are All Nobody: Mary Jo Salter on Finding Beauty and Community in Poetry

“Let’s try to put our own vanities aside when we write poems, and let’s read the poems by other people that make us feel most alive.”

By Mary Jo Salter | August 3, 2024

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    • James Sallis: What a Crime Fiction Master Leaves BehindApril 2, 2026 by Nick Kolakowski
    • The Keeper
    • The Best Reviewed Books of the Week
    • "rench bring us directly into her characters heads The mystery is as much about their…"
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