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“We’re There to Bear Witness.” Putsata Reang on Reporting in War Zones

“We’re There to Bear Witness.” Putsata Reang on Reporting in War Zones

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | March 31, 2022

Maud Newton on the Relief of Knowing That Genes Aren’t Fate

Maud Newton on the Relief of Knowing That Genes Aren’t Fate

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 31, 2022

WATCH: Elaine Hsieh Chou and Larissa Pham on Power, Complicity, and Rage

WATCH: Elaine Hsieh Chou and Larissa Pham on Power, Complicity, and Rage

Hosted by Greenlight Bookstore

By The Virtual Book Channel | March 31, 2022

Kate Folk on the Natural Crossover Between Literary and Speculative Fiction

Kate Folk on the Natural Crossover Between Literary and Speculative Fiction

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 30, 2022

Maud Newton: Good Writing is All About Being Interested

Maud Newton: Good Writing is All About Being Interested

On Finding the Freedom to Write However You Want

By Maud Newton | March 29, 2022

On Notes to a Future Self: How Journaling Helps Me Write

On Notes to a Future Self: How Journaling Helps Me Write

Kate Folk Outlines a Daily Ritual

By Kate Folk | March 29, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

How Wings of Desire and Red Dead Redemption 2 Informed Sasha Fletcher’s New Novel

By So Many Damn Books | March 29, 2022

The Writer as Conduit: Suzanne Cope on the Privilege of Telling Stories

By I'm a Writer But | March 29, 2022

How Writing a Novel Helped Me Say Gay

By Jules Ohman | March 28, 2022

Jacquelyn Mitchard on Hiding Mysteries in Plain Sight

Jacquelyn Mitchard on Hiding Mysteries in Plain Sight

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 28, 2022

Shubha Sunder on Writing from a Place of Nostalgia for Home

Shubha Sunder on Writing from a Place of Nostalgia for Home

This Week from The Common Podcast

By The Common | March 28, 2022

Writer Erika Krouse On Her Time As A Private Investigator

Writer Erika Krouse On Her Time As A Private Investigator

“Many people were willing to open up to me, even when doing so meant danger to them and their lives.”

By Molly Odintz | March 25, 2022

Anna Cabe on Learning Concision Through Poetry and Flash Prose

Anna Cabe on Learning Concision Through Poetry and Flash Prose

In Conversation with Kirsten Reneau for the Micro Podcast

By Micro Podcast | March 25, 2022

Melissa Febos on Writing About Sex

Melissa Febos on Writing About Sex

"A sex scene should advance a story."

By Melissa Febos | March 25, 2022

Teaching Writing to Children with Autism While in the Grip of Anxiety

Teaching Writing to Children with Autism While in the Grip of Anxiety

Sarah Fay on Navigating Not One But Two Entries in the DSM

By Sarah Fay | March 24, 2022

On Embracing the Halting, Neurotic, Defiant Ways We Talk

On Embracing the Halting, Neurotic, Defiant Ways We Talk

Sara Lippmann’s Manifesto for Sounding—and Writing—Like Yourself

By Sara Lippmann | March 23, 2022

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Page 139 of 261
    • Thinking Outside the Cop: Using Game Wardens in Crime FictionJanuary 13, 2026 by Sarah Crouch
    • Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded AntagonistsJanuary 13, 2026 by Isha Raya
    • Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical FictionJanuary 13, 2026 by Alex Dueben
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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