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  • Craft and Criticism
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The Simple Writing Prompt That Launched R. Cathey Daniels' Debut Novel

The Simple Writing Prompt That Launched R. Cathey Daniels' Debut Novel

In Conversation with G.P. Gottlieb on the New Books Network

By New Books Network | May 27, 2022

Cheryl Collins Isaac on Writing About Ballet, and the Intersection of Beauty and Pain

Cheryl Collins Isaac on Writing About Ballet, and the Intersection of Beauty and Pain

This Week from The Common Podcast

By The Common | May 27, 2022

Digging Around in the Dirt: What Gardening Can Teach Writers

Digging Around in the Dirt: What Gardening Can Teach Writers

Catie Marron on Learning to Understand Soil

By Catie Marron | May 26, 2022

Why Elif Batuman’s Been Thinking About “Compulsive Heterosexuality”

Why Elif Batuman’s Been Thinking About “Compulsive Heterosexuality”

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 26, 2022

In Defense of the Literary Happily Ever After

In Defense of the Literary Happily Ever After

Sarah McCoy on the Restorative Catharsis of a Happy Ending

By Sarah McCoy | May 26, 2022

A Poetics of Risk: On Publishing My Debut Novel in My 60s

A Poetics of Risk: On Publishing My Debut Novel in My 60s

Lisa Russ Spaar Explores the Pleasures of Finding New Ground

By Lisa Russ Spaar | May 26, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Sarah Ruhl Tries to Look at Grief Through the Lens of Form

By Literary Hub | May 25, 2022

Jon Mooallem Writes in the Morning (Before the World Snuffs Out His Brief Glimmer of Positivity)

By Literary Hub | May 25, 2022

Andrea Marcolongo on How Running Fuels Her Creative Process

By Andrea Marcolongo | May 25, 2022

Kathryn Miles on the Emotional Toll of Investigating Tragedies—and Why She Carries on

Kathryn Miles on the Emotional Toll of Investigating Tragedies—and Why She Carries on

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 25, 2022

Elif Batuman on the Need For Novels (And When Male Writers Describe Oral Sex)

Elif Batuman on the Need For Novels (And When Male Writers Describe Oral Sex)

Kristin Iversen Talks to the author of Either/Or

By Kristin Iversen | May 24, 2022

Looking for Answers After the Murder of a Dear Friend and Little Brother

Looking for Answers After the Murder of a Dear Friend and Little Brother

Ben Westhoff on Frustration, Grief, and Questions in the Wake of a Young Black Man's Death

By Ben Westhoff | May 24, 2022

Jen Silverman on Re-reading, Making a Tarot Deck, and Other Kinds of Escape

Jen Silverman on Re-reading, Making a Tarot Deck, and Other Kinds of Escape

“I can feel in my bones when a book and a person would match.”

By Literary Hub | May 24, 2022

Omer Friedlander and Joshua Henkin on Writing with a Sense of Place

Omer Friedlander and Joshua Henkin on Writing with a Sense of Place

“When you find the right detail ... it comes to life.”

By Literary Hub | May 24, 2022

Christian J. Collier on Chasing Obsessions and Crafting Poetry as Film Directing

Christian J. Collier on Chasing Obsessions and Crafting Poetry as Film Directing

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | May 24, 2022

How Virginia Woolf and J.A. Baker Helped Me Write a Trans Memoir

How Virginia Woolf and J.A. Baker Helped Me Write a Trans Memoir

Diana Goetsch: “These books became my teachers.”

By Diana Goetsch | May 24, 2022

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Page 128 of 258
    • 10 New Books Coming Out This WeekNovember 10, 2025 by CrimeReads
    • Crime and the City: County KerryNovember 10, 2025 by Paul French
    • I’m 13 Years Late to The Amazing Spider-Man and I Have ThoughtsNovember 7, 2025 by Olivia Rutigliano
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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