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On Editing Oliver Sacks After<br> He Was Gone

On Editing Oliver Sacks After
He Was Gone

How the Author of 13 Books Never Stopped Loving the Publishing Process

By Bill Hayes | April 23, 2019

The Failures of a Wunderkind: <br>On Rejection and Persistence

The Failures of a Wunderkind:
On Rejection and Persistence

Michael Croley is Just Fine with Publishing a Book at 41

By Michael Croley | April 23, 2019

Ian McEwan on Bach, Philip Roth and Living an Episodic Life

Ian McEwan on Bach, Philip Roth and Living an Episodic Life

"All creative acts demand a fruitful pause at certain points."

By Literary Hub | April 23, 2019

Jane Alison on Raymond Carver<br> and Tobias Wolff

Jane Alison on Raymond Carver
and Tobias Wolff

Two Close Readings: Wavelets

By Jane Alison | April 18, 2019

Writing Fiction About Fact: Using Historical Figures As Characters

Writing Fiction About Fact: Using Historical Figures As Characters

On Michael Cunningham, George Saunders, and Other 'Literary Grave-Robbers'

By Steven Rowley | April 18, 2019

Revising My Novel Unearthed <br>a #MeToo Story

Revising My Novel Unearthed
a #MeToo Story

Rachel Cline Writes Her Way Back to the Truth

By Rachel Cline | April 18, 2019

Best Reviewed
Books of the Week

  • On Morrison
  • Leaving Home: A Memoir in Full Colour
  • So Old, So Young
  • Rebel English Academy
  • A Hymn to Life: Shame Has to Change Sides
  • Evil Genius

Cecelia Ahern on How She Writes
a Novel a Year

By Cecelia Ahern | April 16, 2019

Prepping for MFA Programs as
a Person of Color

By Hebah Uddin | April 15, 2019

How What I've Learned as an Actor Can Apply to Storytelling

By Brett Paesel | April 12, 2019

When a First-Person Narrator Sneaks Into Your Story

When a First-Person Narrator Sneaks Into Your Story

Jennifer duBois on the Emergent 'I'

By Jennifer duBois | April 11, 2019

When a Reader Figures Out What Your Book is <em>Actually</em> About

When a Reader Figures Out What Your Book is Actually About

Marcia Butler on Coming to Terms with Her Lifelong Dream Coming True

By Marcia Butler | April 10, 2019

Viet Thanh Nguyen: How Not to Bore Your Audience at a Reading

Viet Thanh Nguyen: How Not to Bore Your Audience at a Reading

Channel Obama. Perform. Drink if You Must.

By Viet Thanh Nguyen | April 9, 2019

Even My Imaginary Male Muses<br> Don't Measure Up

Even My Imaginary Male Muses
Don't Measure Up

Jen Mediano Can't Help But Be a Little Disappointed

By Jen Mediano | April 9, 2019

The Best Argument is a Good Book: Writing Advice from Saul Bellow

The Best Argument is a Good Book: Writing Advice from Saul Bellow

"There is such a thing as overcapitalizing the A in artist."

By Emily Temple | April 5, 2019

What John Hughes Taught Me About<br> the Importance of a Name

What John Hughes Taught Me About
the Importance of a Name

Sloane Tanen on the Lessons of Sloane Peterson

By Sloane Tanen | April 4, 2019

Unsilencing the Writing Workshop

Unsilencing the Writing Workshop

Students Might Learn More and Hate it Less if They Talk About Their Own Work

By Beth Nguyen | April 3, 2019

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Page 271 of 332
    • 4 Thrillers that Capture the Horror of Missing or Abandoned SiblingsFebruary 26, 2026 by Isabel Booth
    • Shelley Puhak on the Historical Hearsay Behind Elizabeth Bathory's NotorietyFebruary 26, 2026 by Shelley Puhak
    • Taylor Adams on Writing ClaustrophobiaFebruary 26, 2026 by Taylor Adams
    • On Morrison
    • The Best Reviewed Books of the Week
    • "This is informed accessible literary analysis that demonstrates that Morrison s true genius was as…"
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