-
“Now, it is no longer just a gift that Chadwick gave us, but an inheritance.” William Evans considers how the Black Panther salute became a gesture that links the Black community. | Lit Hub Film
-
“God is no writer and God is no lawyer.” Christopher Sorrentino on bargaining his writing career for his father’s life. | Lit Hub Memoir
-
“The idea of island, as a world unto and within itself, implies that there still might exist innocent and isolated systems. This is no longer possible.” Jill Stoner on the sad fate of Iles aux Aigrettes. | Lit Hub Climate Change
-
Elegy for the unforgiven: Askold Melnyczuk examines his “impulse to probe the hearts and minds” of unsympathetic characters. | Lit Hub Craft
-
Elsa Panciroli guides us on an evolutionary journey, starting with the long-necked mouth-breathers we have to thank for our existence. | Lit Hub Science
-
Lauren Arrington on the “famously unrepentant” Ezra Pound and his ties with fascist Italy. | Lit Hub History
-
On Keen On, Mehran Sahami on the sacrifices we’re making because of Big Tech, and Joshua Prager on the life of “Jane Roe.” | Lit Hub Virtual Book Channel
-
Jane Eyre, Macho Sluts, To Kill a Mockingbird, and more rapid-fire book recs from Sophie Ward. | Book Marks
-
What would it look like to rethink safety from a feminist, abolitionist perspective? | Lit Hub Politics
-
“Forgive the dramatics, but I had never been so completely the target audience for something before.” Patricia Lockwood considers the album It’ll End in Tears by This Mortal Coil. | Harper’s
-
Listen to Brandon Taylor in conversation with Katie Kitamura. | The Sewanee Review
-
Ruth Ozeki discusses her Japanese identity, Shintoism, and writing after loss. | Harper’s Bazaar
-
“This austerity is a matter of profound artistry.” Dustin Illingworth on the fictions of Fleur Jaeggy. | New Left Review
-
Wole Soyinka talks about his first novel in almost 50 years, which has been in the making for “close to two decades.” | Los Angeles Times
-
Tika Viteri breaks down how the pandemic has changed libraries’ approaches to late fees. | Book Riot
-
“If I were to expose myself, I would become a character, a public fiction that would also condition the fiction of the writing.” Elena Ferrante and Marina Abramović, in (email) conversation. | FT
