Rivka Galchen: How Writing My Novel Helped to Self-Medicate Through the Pandemic
This Week on The Maris Review
The Year That Elon Musk Became Vladimir Putin: How We Lost All Our Moral Illusions About Big Tech in 2022
David Kirkpatrick in Conversation with Andrew Keen on Keen On
White Noise is a Vibrant, Unafraid, and Compelling Film
Olivia Rutigliano on Noah Baumbach’s Successful New Adaptation of Don DeLillo's Classic, Un-filmable Novel
China in 2022: A Crack in Xi Jinping’s Leninist Authoritarianism?
Orville Schell in Conversation with Andrew Keen on Keen On
Big Names in Little Magazines: On Thomas Pynchon’s Very First Literary Journal Appearance
Nick Ripatrazone Goes Deep into the Literary Journal Archives
Hervé Tullet Reflects on a Career of Creating Creatively Unconventional Children’s Literature
"Like in a publicity stunt, the strength of the image gives all the explanation necessary."
Crow, Donkey, Poet: Sumana Roy on the Useless in the Poetic
“Through difference and repetition, the useless is smuggling in poetry and the poetic in language.”
The Case for Climate Reparations: Our Environmental Crisis Isn’t a “Villainless Crime”
Mary Annaïse Heglar in Conversation with Andrew Keen on Keen On
Why American Religious Nationalism is on the Rise in 2022—and How to Confront It in 2023
Katherine Stewart in Conversation with Andrew Keen on Keen On
How World War II Pacifists Laid the Foundation for Future Struggles
Daniel Akst on the Unconventional Origins of the Modern Antiwar Movement
Kate Mosse, Lucy Foley and Ella Berthoud Discuss Marple: Twelve New Stories
From Damian Barr’s Literary Salon Podcast
From Colleen Hoover to New York’s New Wage Transparency Law: The Good News For Women About 2022
Allison Gilbert in Conversation with Andrew Keen on Keen On
Should Stanford and Harvard Really Be Naming Fellowships and Academic Chairs in Honor of Nazi War Criminals?
Lev Golinkin in Conversation with Andrew Keen on Keen On
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