September 8 – 12, 2025
- The transgressive legacy of Christopher Marlowe
- The professional costs of criticizing the Trump administration
- On the presence of ICE in Harlan County, Kentucky
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How to Blow Up a Pipeline is a Brisk Thriller and a Passionate Argument for Revolution
The Fictionalization of Andreas Malm’s 2021 Manifesto Asks How Far We Should Go to Fight Climate Destruction and Injustice
Dani Shapiro on Letting Structure Reveal Itself
“You don’t know—you can’t know—whether the bricks you’ve laid on top will be supported by the bricks at the bottom.”
When Cate Blanchett Played Tennessee Williams’s Greatest Character
Nancy Schoenberger on the Power of Blanche duBois in Liv Ullmann's Unique Production of A Streetcar Named Desire
Why Should We Care About Penguins?
Naira de Gracia Explores the Importance of Species Conservation in Antarctica
Jane Roper on Learning How to Have Fun While Writing Fiction
“Bringing your full self to your work, wielding all of your tools with abandon, is fun at a whole other level.”
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring New Titles by Curtis Sittenfeld, Isabella Hammad, Nicole Chung, Susanna Hoffs, and More
Our Father Issues: A Reading List of Spiritual Disillusionment
Christiana Spens Recommends Patti Smith, Lily Dunn, and More
Jimmy Soni on How PayPal Alumni Have Shaped the 21st century
In Conversation with Andrew Keen on Keen On
A Passion for Living in the Present:
A Conversation with Yuko Tsushima and Annie Ernaux
A Piece of Global Literary History Available in English For the First Time
Nicole Chung on the Task of Winnowing a Life Story (and the Magic of Dogs)
In Conversation with Maris Kreizman on The Maris Review Podcast
Ilyon Woo Tells an Epic Story From Slavery to Freedom
In Conversation with Roxanne Coady on Just the Right Book
Tiny Beautiful Things Does Exactly What We Need It to Do
“Most of all, this adaptation—and the column itself—is about mothers.”
After a Year Spent Visiting the Sistine Chapel, I Saw Something Sublime
Jeannie Marshall on Seeing Life and Time in Michelangeo’s Frescos
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