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Intrigue, Not Critique: On the “Portrait of the Artist” Feedback Model
Florence Gonsalves and Matthew Vollmer Discuss Democratizing the Writing Workshop
April 5, 2023
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Sarah Bakewell on Posthumanism, Transhumanism, and What it Actually Means to Be “Human”
“Will machine minds ever acquire anything like our ability to have thoughts of seriousness and depth?”
April 5, 2023
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Max Porter Reads from His New Novel
Shy
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Aaron Sachs Explain Why Dark Comedy Matters in the Fight Against Climate Change
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J Wortham on the Power of Changes
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Poets Jennifer Michael Hecht and Matthew Zapruder on Wonder, the Secular Sacred, and the Surprising Power of “Once Upon a Time”
A Conversation on Wonder, the Secular Sacred, Stories, and the Surprising Power of "Once Upon a Time"
April 5, 2023
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How Yayoi Kusama Transformed Her Terrors Into Art
Will Gompertz on the Complex Life and Work of an Iconic Japanese Artist
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Time and Materials: On the Art of the Experimental Memoir
John West Considers the Literary Fragment
April 5, 2023
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The Lost Wife
Susanna Moore
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Nathan Price on Why the Future of Medicine Will Be Personalized, Predictive, and Data-Driven
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Ralph White on His Wartime Efforts to Rescue Vietnamese Civilians
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Yiyun Li has won the 2023 PEN/Faulkner Award for
The Book of Goose
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April 4, 2023
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Chloé Zhao will direct a movie adaptation of Maggie O’Farrell’s
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Here are the winners of the 2023 Windham-Campbell Prizes.
April 4, 2023
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Here are the 2023 ‘5 Under 35’ honorees from The National Book Foundation.
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Zoë Kravitz will star in an adaptation of a Kristen Roupenian story not called “Cat Person.”
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Hemingway’s letters to a ‘co-ed’ are going to auction.
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“I’m Pretty Keen on Fact.” Margaret Atwood on the Questions We Must Ask Ourselves
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Lit Hub Daily: April 4, 2023
THE BEST OF THE LITERARY INTERNET
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23 new books out today.
April 4, 2023
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