Stephanie Land on the Routine That Helped Her Write Her New Book in a Month
The Author of Class Takes the Lit Hub Questionnaire
Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime
On Crime Storytelling and Why Aiming for Closure Can Be Problematic
Literature’s Porous Borders: Where Fiction Ends and Reality Begins
Salar Abdoh on Love, War and the Historical Forces That Inspire Art
Whose Community Is It Anyway?
Casey Plett on how Politicians, Media, and Corporations Co-Opt Language
Christopher Clark on the Extraordinary Events of 1848-1849
In Conversation with Toby Mundy on the Baillie Gifford Prize Podcast, Read Smart
Liquid Repetition: Drew Johnson on the Experience of Reading Marguerite Young’s Miss Macintosh, My Darling
"The book was an artifact upon arrival, a tricky thing for the new of avant-garde to be."
Amy Kurzweil on the Open Questions of the Future
In Conversation with Christopher Hermelin on So Many Damn Books
Marina Abramović on Her Expansive View of Art-Making
This Week on the Talk Easy Podcast with Sam Fragoso
Writing Discipline Envy: Tracy K. Smith Wakes Early and Meditates
The Author of To Free the Captives: A Plea for the American Soul Takes the Lit Hub Questionnaire
In Search of Hidden Family History in the Late Ottoman Empire
Alice Sparberg Alexiou on Love and Loss From Jerusalem to Izmir
How Diane Seuss Wrote The Poem That Matters Most to Her
The Poet Explains the Creative Process Behind "Still Life with Two Dead Peacocks and a Girl"
What the Marabou Stork Taught Me About Writing in an Era of Mass Extinction and Waste
Ashia Ajani on Figuring Out How to Thrive During an Apocalypse
On Art, Music and the Humanist Spirit in the Face of Nazi Atrocities
From Jeremy Eichler's Baillie Gifford Prize Shortlisted Time's Echo
Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write
"I may not know exactly where I’m going when I start a piece of writing, but I’m sure I can find my way"
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