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Drifting Along the Current: On the 10th Anniversary of
Self-Portrait in Green
Jordan Stump On Translating Marie NDiaye
September 12, 2023
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Parole For Pay: How America’s Criminal Justice System Was Slowly Privatized
Vincent Schiraldi on the Unholy Marriage of Fiscal Conservatism and Law and Order
September 12, 2023
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How the Humble Pocket Came to Signify Feminist Liberation
Hannah Carlson Explores the History of Women's Pockets
September 12, 2023
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Why Human Writing Is Worth Defending In the Age of ChatGPT
Naomi S. Baron on the Detrimental Impact of Artificial Intelligence on Literacy and Cognition
September 12, 2023
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Christian Kiefer on Sewing a Quilt of Distinct Narrative Voices
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September 12, 2023
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Arifa Akbar and Ruth Scurr on the 2023 Baillie Gifford Prize Longlist
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Here’s the shortlist for the 2023 British Academy Book Prize for Global Cultural Understanding.
September 11, 2023
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September 11, 2023
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Conquest and Care in Antarctica: On Climate Stories that Complicate the Narrative
Michaela Cavanagh Reads Elizabeth Rush's
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September 11, 2023
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Robert MacFarlane on Indigenous Pantheons, the Western Notion of the Sublime, and Raban's Disruptive Language
September 11, 2023
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Learning to Write About Pets When You Aren’t An Animal Person
LaToya Watkins on Loss, the Natural World as a Mirror, and the Reassuring Blessing of Nonhuman Companionship
September 11, 2023
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The Remarkable Story of the Horsewomen Warriors of Afghanistan
Pardis Mahdavi on Unearthing a Story of Ferocity and Survival
September 11, 2023
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The Geology of Misery: What Philip Larkin and Ted Lasso (and Science) Tell Us About Trauma
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September 11, 2023
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