Roderick Beaton on the Greek Revolution of 1821

Roderick Beaton on the Greek Revolution of 1821

In Conversation with Andrew Keen on Keen On

By Keen On | November 29, 2021

Bob Spitz on Writing the Definitive History of the Greatest Rock Band of All Time

Bob Spitz on Writing the Definitive History of the Greatest Rock Band of All Time

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | November 29, 2021

On Eliza Haywood’s Explorations of Gender Politics and Sexual Passion

On Eliza Haywood’s Explorations of Gender Politics and Sexual Passion

From the History of Literature Podcast with Jacke Wilson

By History of Literature | November 29, 2021

<em>Where the Deer and Antelope Play</em> by Nick Offerman, Read by the Author

Where the Deer and Antelope Play by Nick Offerman, Read by the Author

Travel the Countryside with Nick Offerman

By Behind the Mic | November 29, 2021

<em>Tastemakers</em> by Mayukh Sen, Read by Tovah Ott

Tastemakers by Mayukh Sen, Read by Tovah Ott

A Delicious Revelation, Skillfully Narrated

By Behind the Mic | November 29, 2021

After 40 years, the man wrongfully convicted of Alice Sebold's rape has been exonerated.

After 40 years, the man wrongfully convicted of Alice Sebold's rape has been exonerated.

By Walker Caplan | November 24, 2021

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Breaking: Alaska teen turns Gilgamesh into rap.

By Walker Caplan | November 24, 2021

How to Reframe the Strangeness of The Plague as Sci-Fi Noir

By Sunra Thompson | November 24, 2021

We Shall Overcome: John Lewis on the Symbolism of the Edmund Pettus Bridge and the Urgency of the Civil Rights Movement

By John Lewis | November 24, 2021

Behind the Scenes of David Fincher’s <em>Fight Club</em>

Behind the Scenes of David Fincher’s Fight Club

Adam Nayman on the Production and Cultural Impact of the Still-Controversial Film

By Adam Nayman | November 24, 2021

<em>Drive My Car</em>, a New Adaptation of the Haruki Murakami Story, Far Surpasses Its Source Material

Drive My Car, a New Adaptation of the Haruki Murakami Story, Far Surpasses Its Source Material

Ryan Chapman on Ryusuke Hamaguchi’s Three-Hour Masterpiece

By Ryan Chapman | November 24, 2021

What <em>Lovecraft Country</em> Gave to Black Audiences

What Lovecraft Country Gave to Black Audiences

The Cast and Creators Speak to the Making—and Unmaking—of the HBO Series

By James Andrew Miller | November 24, 2021

Richard Rhodes and E.O. WIilson on Ants and Life on Earth

Richard Rhodes and E.O. WIilson on Ants and Life on Earth

This Week on the Radio Open Source Podcast

By Open Source | November 24, 2021

If You Want to Write a Novel, Start with a Plan

If You Want to Write a Novel, Start with a Plan

Stephanie Gangi on Writing Her Debut in Her Late 50s

By Stephanie Gangi | November 24, 2021

How Black Spiritual Songs Gave Rise to New Musical Genres

How Black Spiritual Songs Gave Rise to New Musical Genres

Joseph Horowitz on Melodies of "Pathos and Exaltation"

By Joseph Horowitz | November 24, 2021

Why Stories Are Like Taking Drugs

Why Stories Are Like Taking Drugs

Jonathan Gottschall on the Human Need To Silence Your Inner Voice

By Jonathan Gottschall | November 24, 2021

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