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Words of No Syllables: How Animals Bond With Their Human Caretakers

Words of No Syllables: How Animals Bond With Their Human Caretakers

Rosamund Young on Caring for Cows, Sheep and Other Four-Legged Friends

By Rosamund Young | August 14, 2024

How the Prospect of Publishing Can Paralyze the Writing Process

How the Prospect of Publishing Can Paralyze the Writing Process

Sofia Samatar on Balancing Self-Compartmentalization With the Joy of Creation

By Sofia Samatar | August 14, 2024

Imagining Home: On Family, Place and Inheritance in South Asia and North America

Imagining Home: On Family, Place and Inheritance in South Asia and North America

Sadiya Ansari Considers the Impact and Legacy of Displacement After Partition

By Sadiya Ansari | August 14, 2024

Scheherazade Was a Liar, Too: How Secrets Can Fuel Creative and Personal Exploration

Scheherazade Was a Liar, Too: How Secrets Can Fuel Creative and Personal Exploration

Navid Sinaki on Finding His Voice as a Young, Queer Iranian Immigrant

By Navid Sinaki | August 13, 2024

Remembering the Jasmine of Ramallah; Or, How to Write to the Heart of the Matter in a Broken World

Remembering the Jasmine of Ramallah; Or, How to Write to the Heart of the Matter in a Broken World

Ben Ehrenreich on the Impossibility of Narrative Containment

By Ben Ehrenreich | August 8, 2024

On My Attempt to Become a Better Tennis Player By Reading Self-Help Books

On My Attempt to Become a Better Tennis Player By Reading Self-Help Books

Keith Gandal Zen on the Art of Losing Badly

By Keith Gandal | July 31, 2024

Best Reviewed
Books of the Week

  • On Morrison
  • Leaving Home: A Memoir in Full Colour
  • So Old, So Young
  • Rebel English Academy
  • A Hymn to Life: Shame Has to Change Sides
  • Evil Genius

Returning to the Scene: What’s Left of Café Loup, Legendary NYC Literary Haunt?

By Erin Edmison | July 31, 2024

On Lying About Reading, or: How I Learned That Stieg Larsson Is Good, Actually

By Sara Martin | July 29, 2024

Lost and Found: Why I Almost Quit Journalism (and What Brought Me Back)

By Lauren Markham | July 26, 2024

On Writing—and Then Becoming—the “Other”

On Writing—and Then Becoming—the “Other”

How Understanding Her Neurodiverse Protagonist Helped Mathangi Subramanian Understand Herself

By Mathangi Subramanian | July 24, 2024

Shalom Auslander on the First Story He Was Ever Told

Shalom Auslander on the First Story He Was Ever Told

“The first part of You Suck is known as The Old Testament.”

By Shalom Auslander | July 23, 2024

The Hard Art of Seeing Your Own Writing Through Rose-Colored Glasses

The Hard Art of Seeing Your Own Writing Through Rose-Colored Glasses

Mira Ptacin on Transforming One’s Inner Critic

By Mira Ptacin | July 22, 2024

From Dream to Nightmare: On the Deadly Manifestations of Religious Hatred in India

From Dream to Nightmare: On the Deadly Manifestations of Religious Hatred in India

Zara Chowdhary Remembers a Idyllic Childhood Torn Apart by Violent Sectarianism

By Zara Chowdhary | July 22, 2024

On the Aftermath of a Brutal Murder-Suicide in an Idyllic Small Town

On the Aftermath of a Brutal Murder-Suicide in an Idyllic Small Town

George Choundas Ponders How Life Continues In the Face of Senseless Tragedy

By George Choundas | July 19, 2024

Meet the writers who garden against time.

Meet the writers who garden against time.

By Brittany Allen | July 18, 2024

What Does It Mean to Write Escapist Literature?

What Does It Mean to Write Escapist Literature?

Caroline Carlson on Children’s Books and Escape Artistry

By Caroline Carlson | July 16, 2024

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Page 27 of 202
    • On Crime Fiction As a
      Proxy for Real Life Justice
      February 24, 2026 by Christopher Huang
    • Danielle Girard on the Many Faces of Motherhood in Contemporary FictionFebruary 24, 2026 by Danielle Girard
    • The Author of 'How to Get Away with Murder' Was Surprised to Find Pieces of Herself in the StoryFebruary 24, 2026 by Rebecca Philipson
    • On Morrison
    • The Best Reviewed Books of the Week
    • "This is informed accessible literary analysis that demonstrates that Morrison s true genius was as…"
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