Literary Hub » Film and TV

Why Elon Musk is More Like Thomas Edison Than Nikola Tesla

Why Elon Musk is More Like Thomas Edison Than Nikola Tesla

Michael Almereyda Discusses Two Giants of Invention

By Michael Almereyda | October 17, 2022

At the Lonely Crossroads of Horror and the American Century

At the Lonely Crossroads of Horror and the American Century

W. Scott Poole on the Intertwined History of Horror Films and Social Critique

By W. Scott Poole | October 17, 2022

“No One Can Say No to Elmo.” The Beginning of a Journey to Bring <em>Sesame Street</em> to Russia

“No One Can Say No to Elmo.” The Beginning of a Journey to Bring Sesame Street to Russia

Natasha Lance Rogoff on an Unexpected Request from the Sesame Workshop

By Natasha Lance Rogoff | October 17, 2022

A New Era for Lena Dunham? Why the Controversial Creator is a Perfect Match for the Middle Ages

A New Era for Lena Dunham? Why the Controversial Creator is a Perfect Match for the Middle Ages

Catherine Called Birdy Is as Thoroughly Medieval as It Is Dunhamesque

By Ryan Coleman | October 14, 2022

<em>Triangle of Sadness</em> is a Satire That Skillfully Goes Overboard

Triangle of Sadness is a Satire That Skillfully Goes Overboard

Olivia Rutigliano on Ruben Östlund’s New Palme d'Or-Winning Comedy

By Olivia Rutigliano | October 14, 2022

Talking to Myself: On <em>The Image Book</em> and the Legacy of Jean-Luc Godard

Talking to Myself: On The Image Book and the Legacy of Jean-Luc Godard

What Godard is saying has always been a matter of how he is saying it."">"What Godard is saying has always been a matter of how he is saying it."

By Nathan Lee | October 14, 2022

Best Reviewed
Books of the Week

Why We Root for the Adaptations of Our Favorite Book Series (Even When They Disappoint Us)

By Jenna Kass and Dylan Roth | October 14, 2022

A film scholar uncovered the oldest footage from a Black film company at the Library of Congress.

By Corinne Segal | October 13, 2022

Dawnie Walton in Praise of Say Anything’s Gangly, Vulnerable Male Lead

By Open Form | October 13, 2022

How <em>The Exorcist</em> Turned the Tensions Beneath the Inviolable Nuclear Family Unit into Horror

How The Exorcist Turned the Tensions Beneath the Inviolable Nuclear Family Unit into Horror

Kelly Roberts, Michael Grasso, and Richard McKenna on the Patriarchy Beneath the Possession

By Kelly Roberts, Michael Grasso, and Richard McKenna | October 12, 2022

WATCH: Sarah Polley’s adaptation of Miriam Toews’s <em>Women Talking</em> looks stunning.

WATCH: Sarah Polley’s adaptation of Miriam Toews’s Women Talking looks stunning.

By Jonny Diamond | October 11, 2022

Powerful and Multifaceted: Maya Phillips on the Responsibility of Black Superheroes

Powerful and Multifaceted: Maya Phillips on the Responsibility of Black Superheroes

Considering Black Panther, Luke Cage, and More

By Maya Phillips | October 11, 2022

The Pope of Filth is bringing his filthy novel to the big (filthy) screen.

The Pope of Filth is bringing his filthy novel to the big (filthy) screen.

By Dan Sheehan | October 7, 2022

A Bite for Every Mood: A Guide to October’s Four New Literary Vampire Shows

A Bite for Every Mood: A Guide to October’s Four New Literary Vampire Shows

Sexy? Scary? The Brutal Loneliness of Blood-Sucking Immortality?

By Alexis Gunderson | October 7, 2022

Do the <em>Rings of Power</em> Creators Care About the Original Text at All? (Should We?)

Do the Rings of Power Creators Care About the Original Text at All? (Should We?)

Jenna Kass and Dylan Roth (Wearily) Recap Episode 7

By Jenna Kass and Dylan Roth | October 7, 2022

<em>Amsterdam</em> is an Overstuffed, Inchoate Whodunnit

Amsterdam is an Overstuffed, Inchoate Whodunnit

Olivia Rutigliano on David O. Russell's New Film, “a Clown Car of Talent on the Road to Nowhere”

By Olivia Rutigliano | October 7, 2022

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