The Literary Film and TV You Need to Stream in August

The Literary Film and TV You Need to Stream in August

Since You've Already Seen Barbenheimer

By Emily Temple | July 28, 2023

How <em>Barbie</em> Captures the Plasticity of Our Surreal Times

How Barbie Captures the Plasticity of Our Surreal Times

In Conversation with Andrew Keen on Keen On

By Keen On | July 28, 2023

On the Historical and Contemporary Significance of <em>Oppenheimer</em>

On the Historical and Contemporary Significance of Oppenheimer

In Conversation with Andrew Keen on Keen On

By Keen On | July 27, 2023

Greta Gerwig’s <em>Barbie</em> is a Fascinating, Spectacular Philosophical Experiment

Greta Gerwig’s Barbie is a Fascinating, Spectacular Philosophical Experiment

Barbie Literalizes the Abstract and Abstracts the Literal in an Engaging, Thought-Provoking Inquiry into the Female Experience

By Olivia Rutigliano | July 21, 2023

How to Adapt Stephen King: A Conversation with the Duo Behind <em>The Boogeyman</em>

How to Adapt Stephen King: A Conversation with the Duo Behind The Boogeyman

Jonathan Russell Clark Chats with Screenwriters Scott Beck and Bryan Woods

By Jonathan Russell Clark | July 21, 2023

Time Out of Mind: On the Ahistorical Cinematic Adaptation

Time Out of Mind: On the Ahistorical Cinematic Adaptation

A 1973 Bruno Schulz Adaptation Goes (Temporally) Beyond Its Source Material—and It’s Not Alone

By Tobias Carroll | July 21, 2023

Best Reviewed
Books of the Week

  • They
  • This Is Not About Us
  • Eradication: A Fable
  • The Boundless Deep: Young Tennyson, Science and the Crisis of Belief
  • The Last Kings of Hollywood: Coppola, Lucas, Spielberg—And the Battle for the Soul of American Cinema
  • End of Days: Ruby Ridge, the Apocalypse, and the Unmaking of America

The Race to Make Hollywood’s First Atomic Bomb Movie

By Greg Mitchell | July 17, 2023

Can Writers Have Fun? Afire is a Character Study of a Self-Absorbed Novelist

By Elissa Suh | July 14, 2023

On the Refugee Stories That Begin Where Casablanca Ends

By Tabea Alexa Linhard | July 14, 2023

Why Regency Romance Needs to Give Its Characters of Color Greater Agency

Why Regency Romance Needs to Give Its Characters of Color Greater Agency

Amita Murray on Queen Charlotte, Bridgerton, and Navigating the Genre as a Brown Writer of South Asian Descent

By Amita Murray | July 13, 2023

How Lauren Bacall Secured Her Legendary Love Story with Humphrey Bogart

How Lauren Bacall Secured Her Legendary Love Story with Humphrey Bogart

William J. Mann on the Movie Star’s Memoirs

By William J. Mann | July 12, 2023

Errol Flynn and Harvey Weinstein: Writing About Past Hollywood Abuses in the Midst of #MeToo

Errol Flynn and Harvey Weinstein: Writing About Past Hollywood Abuses in the Midst of #MeToo

Lindsay Lynch on Writing Historical Fiction to Understand the Present

By Lindsay Lynch | July 11, 2023

A Woman Satisfied: Alyssa Songsiridej on the Refreshing Lack of Regret in <em>Past Lives</em>

A Woman Satisfied: Alyssa Songsiridej on the Refreshing Lack of Regret in Past Lives

“Nora lives just one life, one she wants and that she has chosen.”

By Alyssa Songsiridej | July 7, 2023

How Nonfiction Writing and Documentary Filmmaking Curate the Truth

How Nonfiction Writing and Documentary Filmmaking Curate the Truth

Chachi D. Hauser on Constructed Realities in Literature and Film

By Chachi D. Hauser | July 7, 2023

This summer, read a screenplay.

This summer, read a screenplay.

By Olivia Rutigliano | July 6, 2023

Bill Boggs, Satirist of America’s Addiction to Celebrity, Drugs, Sex, and Food

Bill Boggs, Satirist of America’s Addiction to Celebrity, Drugs, Sex, and Food

In Conversation with Andrew Keen on Keen On

By Keen On | July 6, 2023

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