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Film and TV
Love Lies Bleeding
is an Eerie, Electric Body-Horror Thriller
Olivia Rutigliano on Rose Glass’s New Film
By
Olivia Rutigliano
| March 11, 2024
What Writers Can Learn From Adapting Their Own Work for the Screen
Sarah Tomlinson on the Slow Yet Satisfying Process of Getting a Book on Film
By
Sarah Tomlinson
| March 11, 2024
The Literary Hub cheat sheet to the Oscars.
By
Olivia Rutigliano
| March 8, 2024
Dr. Seema Jilani on What She Saw in Gaza
This Week on the Talk Easy Podcast with Sam Fragoso
By
Talk Easy
| March 7, 2024
Who Killed Prestige TV? Toward a “Good Fan” Theory of Television
M.C. Mah on the Rise and Fall and Rise of Endless Streaming
By
M. C. Mah
| March 7, 2024
Your Literary Guide to the 2024 Oscars
Ryan Coleman on This Year’s Academy Award Nominees for Best Original and Adapted Screenplay
By
Ryan Coleman
| March 4, 2024
Best Reviewed
Books of the Week
Why Voting in The Oscars (and in Politics) Is Broken, and How to Fix Both
By
Ismar Volić
| March 4, 2024
The Literary Film & TV You Need to Stream in March
By
Emily Temple
| March 1, 2024
How Richard Wright’s
Native Son
Eventually Made It to the Big Screen
By
Charlene Regester
| February 29, 2024
Kyle MacLachlan Keeps Himself Open
This Week on the Talk Easy Podcast with Sam Fragoso
By
Talk Easy
| February 27, 2024
“What If We Weren’t Afraid to Tell the Hard Truths?” Chris Chalk on Playing James Baldwin
“Being Baldwin requires you to be free. It’s mandatory.”
By
Dan Sheehan
| February 21, 2024
What Writing TV Soap Operas Taught Me About Writing Novels
Ellen Feldman on the Fine Art of the Commercial Break
By
Ellen Feldman
| February 21, 2024
Always Rooting for the Antihero: How Three TV Shows Have Defined 21st-Century America
Michiko Kakutani on Our Love-Hate Affair with Outsiders and Outlaws
By
Michiko Kakutani
| February 20, 2024
On Ten Iconic Women Writers of Film and Television
Li Patron and Forsyth Harmon Explore Thirty Years of Representation on the Big and Small Screen
By
Li Patron and Forsyth Harmon
| February 12, 2024
Lisa Frankenstein
is a Charming Comedy, Even If It’s Missing Some Parts
Olivia Rutigliano on Diablo Cody and Zelda Williams's 80s-throwback, Mary-Shelley-indebted, high-school zom-com
By
Olivia Rutigliano
| February 9, 2024
How Stanley Kubrick Brought Stephen King’s
The Shining
to the Big Screen
Robert P. Kolker and Nathan Abrams on the Director's Pivotal Role in the Horror Boom of the 1970s
By
Robert P. Kolker and Nathan Abrams
| February 8, 2024
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Page 20 of 115
What's New To Streaming: April 30, 2026
May 1, 2026
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Radha Vatsal
How Some Crime Writers Are Finding a New Path to Publishing
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Keith Roysdon
Lynn Cahoon on Choosing Whether to Set Cozies in Real or Fictional Places
May 1, 2026
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Lynn Cahoon
The Best Reviewed Books of the Week
"Mackintosh has a spare and confident hand Her work is sometimes described as dreamlike certainly…"